Microscope Gallery is very pleased to present a rare screening of early films by Abigail Child, a fixture in New York’s avant-garde film and writing community since the 1980s with around 50 films completed to date.
We're excited to welcome Abigail Child to ArtCinema OFFoff for a program of readings of her experimental writing. Abigail Child is mainly known for her work as an experimental filmmaker. OFFoff engages itself to extend the attention and interest in her work to her experimental writing. Convinced of the relations between text and cinema we're happy to invite you for an evening of readings, authored and brought to you by Abigail herself. More information soon.
Celebrate the heat of July with classics by two of the sharpest editors in the experimental scenes in the USA. Abigail Child’s heady Is This What You Were Born For? series (from which we’re showing four films) took the Eighties by storm creating “found” footage collages of sultry noir seduction—turning erotic desires on its head.
Light Cone offers a carte blanche to Brazilian filmmaker and artist Ana Vaz whose films, installations and performances elaborate relationships between myth and history, ethnography and speculation, through a cosmology of references and perspectives.
Canyon Cinema has joined together with SFFILM to welcome renowned Canadian filmmaker Guy Maddin to the Bay Area. As a part of the 60th San Francisco International Film Festival, Maddin will present a program of rarely seen works from Canyon’s collection of over 3,200 artist-made films.
For the second installment of Eye on a Director, MAD highlights the collection of the legendary film distributor and archive Canyon Cinema. In the late 1950s, Canyon Cinema brought together independent film artists whose work reflected a remarkable diversity in style and content. Variously called avant-garde, underground and experimental, these artists shared a vision of filmmaking as a form of personal expression, free from the demands and constraints of commercial conventions.
"If you’ve seen more than three of the films in this program, I’d be surprised. Yet every single one of these films by women filmmakers, chosen from the collection of the Filmmaker’s Co-op, deserves to be written about, taught in classes, and be part of the canon of avant-garde film. In a program of striking artistic voices from filmmakers with large bodies of work, you’ll see resonances with the films of Jack Smith, Carolee Schneeman, Stan Brakhage, Len Lye, Owen Land, Hollis Frampton, Barbara Rubin, Malcolm LeGrice, and many others."
L'œuvre filmique d'Abigail Child, d'une rare densité, constitue un point de repère incontournable dans le cinéma expérimental des années 1980. Ses films recourent aux stratégies du found footage, de l'art de l'appropriation, de la Language Poetry, ainsi q
A Critical Cinema 4 is the fourth volume in Scott MacDonald's Critical Cinema series, the most extensive, in-depth exploration of independent cinema available in English. In this new set of interviews, MacDonald once again engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the network of interconnections within the community of filmmakers.
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.
