Artist-made editions
This (Region One / NTSC) DVD features ten videos (1983-2006) which filter a lexicon of recurring themes through a spectrum of movie motifs and narrative strategies.
Available now in a limited edition of 200. A 16 page A4 collection of collages, drawings, insets and poems from Omozap to the present. Self published with screenprinted cover - each copy is signed, numbered and unique.
Prisoner of Art includes a DVD-R
For more than 25 years Jon Behrens has worked completely outside of the mainstream conception of what filmmaking is , He began to make films as a teenager in the late seventies, starting out with his Grandfathers Wollensak regular 8mm camera and then mo
In this film writer/director Peter Tammer explores the FEAR OF THE DARK through the person of the actor Robert Ratti, holding together the hopes and fears of the performer who is facing survival on a day-to-day basis for the opportunity to work in the fut
A selection of animated films, from new glass master. Includes the films: L'eau life, Paper view, Lost and found, You won't remember this, Grand Central, Yours, White out, Trigger happy, Tulips, Postcards from Warren, Train of thought, All the wrong reaso
Available on DVD for the first time, this 2004 debut feature of avant-garde veteran (and Ohio-raised) Jennifer Reeves combines elements of narrative, experimental, and documentary techniques to create a truly lyrical example of personal storytelling. In The Time We Killed, Reeves burrows into the perspective of a reclusive woman (poet Lisa Jarnot) who tries to ignore the world outside of her New York apartment. But images from her past and current world events (from 9/11 to the war in Iraq) cause her to confront and fight her growing agoraphobia. Shot on a mix of 16mm and digital video, the brilliantly textured film has achieved extraordinary acclaim for such a radically experimental work and has won major prizes at the Berlin and Tribeca Film Festivals.
Third release in the edition of Baillie's film works. This volume contains the newly restored version of Quick Billy (1970)
Sarah Pucill’s films and photographs explore the mirroring and merging we seek in the Other; a sense of self which is transformative and fluid. Her work is concerned with the idea that as subjects we are not separate.