What does it mean to recognize a documentary gesture in Kren´s films? What is being documented?
The documentary images that Kren uses in his works do not arise out of a plan, but instead, come from the right moment, a coincidence, a momentary observationWhat does it mean to recognize a documentary gesture in Kren´s films? What is being documented?
The documentary images that Kren uses in his works do not arise out of a plan, but instead, come from the right moment, a coincidence, a momentary observation, or a seized opportunity.
18/68 VENECIA KAPUTT 1968, 0:20 min
22/69 HAPPY-END 1969, 4:02 min
23/69 UNDERGROUND EXPLOSION 1969, 5:07 min
24/70 WESTERN 1970, 2:54 min
26/71 ZEICHENFILM BALZAC UND DAS AUGE GOTTES 1971, 0:31 min
27/71 AUF DER PFAUENINSEL 1971, 1:21 min
29/73 READY-MADE 1973, 12:20 min
30/73 COOP CINEMA AMSTERDAM 1973, 3 min
33/77 KEINE DONAU 1977, 8:16 min
34/77 TSCHIBO 1977, 1:58 min
39/81 WHICH WAY TO CA? 1981, 3:18 min
40/81 BREAKFAST IM GRAUEN 1981, 3:13 min
41/82 GETTING WARM 1982, 3:22 min
42/83 NO FILM 1983, 0:03 min
43/84 1984 1984, 1:43 min
44/85 FOOT´- AGE SHOOT´- OUT 1985, 3:03 min
46/90 FALTER 2 1990, 0:30 min
50/96 SNAPSPOTS (for Bruce) 1996, 4:12 min
SPECIAL FEATURE: HANS SCHEUGL: KEINE DONAU - Kurt Kren und seine Filme 1988, 55 min
Enviado por MEstes el
Many of these films probably seem slight to the casual viewer of experimental cinema. Mere adventitious snapshots of a life in progress. Maybe. But by the end of the disc, I felt Mr. Kren had exposed himself in a most sincere and entertaining manner.rnThe bonus track by Hans Scheugl, a great film maker in his own right, is super.
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