The moods of his films resemble an atmosphere between the dream and trauma. Brehm treats the dream as a source of strategies for association, similar to the secondary process to which according to Freud all the workings of the unconscious are subject. DieThe moods of his films resemble an atmosphere between the dream and trauma. Brehm treats the dream as a source of strategies for association, similar to the secondary process to which according to Freud all the workings of the unconscious are subject. Dietmar Brehm ­ a master of the grammar of a non-conceptual language.
(Bert Rebhandl)

THE MURDER MYSTERY 1987/92, 16 min
BLICKLUST 1992, 16 min
PARTY 1995, 17 min
MACUMBA 1995, 18 min
CORRIDOR 1997, 18 min
ORGANICS 1998/99, 17 min
BONUSTRACK: INTERVIEW MIT DIETMAR BREHM 2000, 8:30 min (TIV-TV station)