Drew -

A very late response - I've only just come across this. My first reaction is that this is the opposite of interactive: which is to say that because the words only appear onscreen at a certain rate, you take away one of the reader's basic priveleges, which is to read a piece of text at his/her own chosen pace. So you're actually restricting the reader instead of giving him/her extra possibilities, which is what interactivity is supposed to be all about. Actually, it often works out as a form of restriction in practice, but that's another story.

Restriction of this type isn't necessarily a bad thing, especially if you're trying to imbue a sense of claustrophobia and/or frustration in your audience. And oddly enough, the fact that the text appears dynamically on-screen instead of sitting there read-made and waiting to be read does have its own what-happens-next element: you find yourself waiting to see what the next bit will be. Having said this, I thought the text itself was a bit loosely-written, although it did quite a good job of building up an atmosphere of numinous tension, threat, darkness, unspecified horror, in an HP Lovecraft sort of a way.

I quite like the soundtrack, especially when it gets into "The Look of Love" by itself, without the ominous accompaniments - but it's slightly comical at this point, which maybe conflicts with the tone of the story itself. I also quite like the design, the mysterious-but-suggestive images/video snippets at the bottom of the page.