Proyecciones

  • VISIONS | 12.07.17 + 13.03.17 | Clint Enns: The Lo-Fi Mixtape + If You're Seeing This, It's Too Late

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    VISIONS, in collaboration with la lumière collective, presents
    CLINT ENNS: THE LO-FI MIXTAPE + IF YOU'RE SEEING THIS, IT'S TOO LATE
    Filmmaker Present | Digital Projection

    Clint Enns is a visual artist living in Toronto, Ontario. His work primarily deals with moving images created with broken and/or outdated technologies. His work has shown both nationally and internationally at galleries, festivals, alternative spaces and microcinemas.

    Fechas: 

    De Miércoles, Julio 12, 2017 - 20:00 hasta Jueves, Julio 13, 2017 - 19:55
    De Jueves, Julio 13, 2017 - 20:00 hasta Viernes, Julio 14, 2017 - 19:55

    Local: 

    la lumière collective - Montréal, Canadá
  • Early Monthly Segments #98: Abigail Child & Julie Murray

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    Celebrate the heat of July with classics by two of the sharpest editors in the experimental scenes in the USA. Abigail Child’s heady Is This What You Were Born For? series (from which we’re showing four films) took the Eighties by storm creating “found” footage collages of sultry noir seduction—turning erotic desires on its head.

    Fechas: 

    De Lunes, Julio 24, 2017 - 20:00 hasta Martes, Julio 25, 2017 - 19:55

    Local: 

    Gladstone Hotel - Toronto, Canadá
  • Cineinfinito #19: MM Serra

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    Programa:
    - Eye Etc (1982,16mm, color, silent, 4')
    Filmado en vacaciones en Hawai, los planos exploran la luz, los colores y el movimiento sensual de la cultura hawaiana.

    Five Films (1984-87):
    FIVE FILMS de MM Serra representan el espíritu del "hazlo-tú-mismo", pero introducen una distintiva dimensión de erotismo poético. Vistas en conjunto, estas películas (...) demuestran la ilimitada energía que animaba la escena cinematográfica underground de Nueva York en aquellos años (...) —Anthology Film Archives, 2016

    Fechas: 

    De Jueves, Julio 27, 2017 - 18:00 hasta Viernes, Julio 28, 2017 - 17:55

    Local: 

    Filmoteca de Cantabria - Santander, España
  • Ko Nakajima: Mt. Fuji

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    Microscope Gallery is extremely pleased to present as the final night in a two-part series of works by the Japanese video and computer animation pioneer Ko Nakajima the full 90-minute version of his most well known work “Mt. Fuji”, made in 1984. While the 20-minute version has previously screened in the US – including in the 1986 program “New Video: Japan” as part of “Close Up of Japan, New York 1985-86” at the Museum of Modern Art and the subsequent traveling program, among others – the original version of the work has rarely, if ever, been shown in the US. A 7-minute long “short version” also exists.

    Fechas: 

    Lunes, Julio 17, 2017 - 19:30

    Local: 

    Microscope Gallery - Nueva York, Estados Unidos
  • Cineinfinito #18: Edward Owens

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    A mediados de los años sesenta, Edward Owens era un adolescente afroamericano que asistía al Art Institute de Chicago cuando Gregory Markopoulos llegó para crear el programa de cine de la escuela. Owens, que estudiaba entonces pintura y escultura, ya llevaba haciendo películas de 8 mm desde hacía algunos años; impresionado por la madurez de su trabajo, Markopoulos le animó a mudarse a Nueva York. Owens llegó a Manhattan en 1966 con Markopoulos, que rápidamente lo introdujo en el mundo de la cultura de las clases marginales de la ciudad, presentándolo a figuras como Andy Warhol, Gerard Malanga, Marie Menken, Gregory Battcock y el cineasta poeta Charles Boultenhouse. Pronto, Owens inició una relación con Boultenhouse, y se trasladó al apartamento del West Village donde Boultenhouse ya vivía con quien era su amante desde hacía muchas décadas, el legendario crítico Parker Tyler, quien aceptó el arreglo.

    Fechas: 

    Jueves, Julio 27, 2017 - 16:30

    Local: 

    Filmoteca de Cantabria - Santander, España
  • Summer of Love Experiments: Perceptual Expansion

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    The Summer of Love. Los Angeles Filmforum commemorates the 50th anniversary of the radical cultural upheaval with an assortment of mind-blowing (as intended) short underground films. These films used a variety of tactics to manifest or assist with perceptual expansion and experience found in sex, drugs, music, and art.  Some pursue idea of psychedelia (Third Eye Butterfly; Doppler Effect: Version II) others express openness in sexuality (Fuses); and others try to capture some of the spirit of group revelry, drug-taking and celebration (Letter to D.H.

    Fechas: 

    Domingo, Julio 16, 2017 - 19:30

    Local: 

    Spielberg Theatre at the Egyptian - Los Angeles, Estados Unidos
  • Zero to Twenty and back to Zero: “Zero” a feature 16mm film by James Fotopoulos

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    Microscope is excited to present a screening of James Fotopoulos’ first feature film ‘’Zero” in its original format on the occasion of its 20th anniversary, introduced by Bradley Eros who along with Brian Frye presented the work in its first “real screening” in the US on November 21, 2000 at the Robert Beck Memorial Cinema (RBMC), which took place  the Lower East Side space Collective Unconscious.

    Fechas: 

    Viernes, Julio 14, 2017 - 19:30

    Local: 

    Microscope Gallery - Nueva York, Estados Unidos
  • Canyon Cinema 50: Love, Light & Lyrical Eroticism

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    1967 was the year that the Canyon Cinema Co-op was born in San Francisco. Formed as a  distribution cooperative for films made by members, it grew out of the itinerant Canyon Cinema formed a few years earlier by a loose association of Bay Area artist-filmmakers. The Canyon Co-Op was the west coast’s contribution to a growing international network for showing and seeing films that fell outside the bounds of polite manners, censors’ approval, and art-world decorum.

    Fechas: 

    De Viernes, Julio 14, 2017 - 19:00 hasta Sábado, Julio 15, 2017 - 18:55

    Local: 

    de Young Museum - San Francisco, Estados Unidos
  • Braquage: On the loop

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    The motif of the loop, or more precisely repetition with variations, is one of the formal and thematic principles recurrent in experimental cinema, one of its major functions being to defamiliarize the gaze in a strange paradox. This selection of films offers an overview of different techniques and conceptual variations of this fascinating and troubling motif.

    Fechas: 

    Martes, Julio 4, 2017 - 20:30

    Local: 

    Espace en Cours - Paris , Francia
  • Contact: Pairs - Amy Dickson / Jamie Jenkinson

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    Amy Dickson and Jamie Jenkinson have both made substantial series of video works with mobile phones, usually with single takes that suggest an intuitive and spontaneous approach to shooting - a mode which they consider intrinsic to their medium. They resist reshooting and post-production. Hence their work foregrounds and promotes the act of looking, embracing a certain amount of wandering and the potential for 'errors'.

    Fechas: 

    Lunes, Julio 10, 2017 - 19:30

    Local: 

    The Depot - London, Reino Unido

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