Otros

  • VICO, videoclub of expanded operation

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    VICO is a dynamic device, a portable mini-archive of video that has been activated through different tasks and in different environments. As it was launched, it was articulated over a nomadic chassis that traveled to different places for its exhibition and operation. It then became an interpersonal hub, linking institutions and individuals, with the aim of researching current artistic audiovisual practices, the conformation of local identities, media-based political expressions and other sociocultural configurations of the mediasphere. Its objective has been to study and affect in different forms the cultural inertias of a collective visual memory in Mexico.

    Fechas: 

    De Viernes, Julio 1, 2016 (Todo el día) hasta Domingo, Julio 31, 2016 (Todo el día)

    Local: 

    ACRE TV - Chicago, Estados Unidos
  • Bruce Conner: It’s All True

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    Bruce Conner: It’s All True is the first monographic museum exhibition in New York of the artist Bruce Conner, the first large survey of his work in 16 years, and the first comprehensive retrospective. The exhibition brings together over 250 objects in mediums including film and video, painting, assemblage, drawing, prints, photography, photograms, and performance.

    Bruce Conner: It’s All True presents a lifetime of work by Conner (1933–2008), one of the foremost American artists of the 20th century, whose transformative work defies straightforward categorization. An early practitioner of found-object assemblage and a pioneer of found-footage film, Conner was a singular member of both the underground film community and the flourishing San Francisco art world, achieving international standing early in his career. His work across a broad range of mediums touches pointedly on various themes of postwar American society, from the excesses of a burgeoning consumer culture to the dread of nuclear apocalypse. Conner’s diverse practice also anticipated the fluidity between mediums that is a hallmark of 21st-century art making. In addition to moving images and assemblages, he produced paintings, drawings, sculptures, prints, photographs, installations, and conceptual interventions.

    Fechas: 

    De Domingo, Julio 3, 2016 (Todo el día) hasta Domingo, Octubre 2, 2016 (Todo el día)

    Local: 

    MoMA New York - , Estados Unidos
  • Indefinite Visions

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    This two-day event brings together academics, film-makers and artists for presentations, conversations, and screenings to explore the indefinite and the illegible in experimental film, artists’ film and video, and commercial cinema.

    Light, motion, definition, compression: the conditions of recording, storing and screening moving image are subject to constant variations that pull them away from perfect visibility. Film-makers and artists often seek out and work with the resulting visual uncertainty, from the warping of space to the melding of senses; speed to slowness; darkness to glare; and blur to glitch. Indefinite Visions explores the possibility that an important function of moving image is not to show but to obscure, and that – like the photographer in Michelangelo Antonioni’s Blow Up – the closer and deeper we look at an image, the less clear it becomes.

    Fechas: 

    De Viernes, Junio 24, 2016 (Todo el día) hasta Sábado, Junio 25, 2016 (Todo el día)

    Local: 

    Whitechapel Gallery - London, Reino Unido
  • Sally Golding: Your Double My Double Our Ghost

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    Australian-British artist Sally Golding presents two new audiovisual installations which conclude her year-long Embedded residency, delivered in partnership with Sound and Music and the South London Gallery (SLG).

    The installations explore Golding’s interest in perception and phenomenology, and consider audiovisual art as a participatory experience. Golding’s work questions states of reality, challenging notions of narrative and the act of perceiving through the deployment of sonic and visual fragments, and the reworking of the bare components of audiovisual media such as light, substrate, and amplification.

    Fechas: 

    De Miércoles, Mayo 25, 2016 (Todo el día) hasta Domingo, Mayo 29, 2016 (Todo el día)

    Local: 

  • ACRE TV LIVE at The MCA

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    ACRE TV presents a live performance, with playwrights, actors, artists, and a studio audience collaboratively producing and broadcasting LIVE television on ACRETV.org. An hour and a half of living cinema—like a play in which actors meet in the edit.

    Featuring performances by Kelly Lloyd and Jesse Malmed, live music by Ryan Sullivan, acting by Monette McLin and David Lawrence Hamilton, and a new scene written by Calamity West and Nate Whelden. Produced by Kate BowenKera MacKenzie, and Andrew Mausert-Mooney.

    Fechas: 

    Martes, Abril 26, 2016 - De 18:00 hasta 19:30

    Local: 

    ACRE TV - Chicago, Estados Unidos
  • Women's Film Preservation Grant Submissions Open

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    The WOMEN'S FILM PRESERVATION FUND (WFPF), a project of New York Women in Film & Television (NYWIFT) announces the opening of submissions for film PRESERVATION grants for this year. 

    The deadline is June 1, 2016.

    Films made by American women or films made by women from other countries only if they were made in the USA are eligible.. 

    Fechas: 

    Miércoles, Junio 1, 2016 (Todo el día)
  • LaborBerlin 2.0 - FILM AIN'T DEAD

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    LaborBerlin is an artist-run film lab open to everyone interested in analogue film practice, embracing an experimental & DIY approach to moving image production.

    We have started a crowdfunding campaign, aiming to buy professional film processing and printing equipment from Film16, a lab near Cologne, that has recently closed its doors forever.

    www.igg.me/at/filmaintdead

    This is a decisive step towards our artistic autonomy (and of anyone interested in joining our collective), and it will ensure the future of analogue film culture.

    Fechas: 

    Jueves, Marzo 24, 2016 (Todo el día)
  • Taller de Mark Street: "Sonido e Imágenes: una relación impugnada"

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    Impartido por Mark Street, cineasta y profesor de producción de video y cine en el Visual Art Department at Fordham University-Lincoln Center.

    ¿Cómo yuxtaponer el ruido y el lenguaje visual? Vamos a usar sonido grabado e imágenes creadas en el taller para con eso crear piezas cortas en las que el sonido y las imágenes “funcionan juntas como un relevo” (Robert Bresson).

    Fechas: 

    Martes, Marzo 1, 2016 - De 17:00 hasta 21:00
    Miércoles, Marzo 2, 2016 - De 17:00 hasta 21:00
    Jueves, Marzo 3, 2016 - De 17:00 hasta 21:00

    Local: 

    U t O p Í a - Cartagena, España
  • Alchemy Film And Moving Image Festival 2016: Artists’ Filmmaking Symposium

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    The 2016 Alchemy Film and Moving Image Festival, Scotland’s international festival dedicated to experimental film and artists’ moving image, will open on Thursday 14th April with the Filmmaking Symposium; an unique event that in its past 3 years has proven to be immensely successful. Open to all, and aimed at both aspiring and established filmmakers or artists working within moving image, the Symposium features talks and presentations by revered filmmakers and leading industry figures.  It provides a rare opportunity to meet and mingle with a range of experts closely involved the making, funding, and distribution of experimental films and artists’ moving image, along with students and fans of the arts.

    Fechas: 

    Jueves, Abril 14, 2016 (Todo el día)

    Local: 

    Heart of Hawick - Hawick, Reino Unido
  • Workshop: Projector as an instrument, by Floris Vanhoof

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    "An immediate form of creating image and sound, a play on the possibilities offered by the film projectors, a use of mechanical machines in performance, discover what you can do with multiple projectors running simultaneously.

    Performances with multiple projectors offer artist-filmmakers the opportunity to expand their spectrum of lumino-pictorical techniques. With modified 16mm projectors, conventional tools become personal instruments for transforming images loops of pure black and white into immersive perceptual phenomenons. Abstract forms and strobe pulsing on the screen slowly transform when adding additional projectors, overlays creating strange halos, bizarre 3D expansions and contractions. When more projectors are added, there occurs an intense sensory overload of light, sound and color."

    Fechas: 

    Sábado, Febrero 20, 2016 - De 10:00 hasta 17:00
    Domingo, Febrero 21, 2016 - De 10:00 hasta 17:00

    Local: 

    Mire - Nantes, Francia

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