Otros

  • RE/NIGHT/LIVE/MARE

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    RE/NIGHT/LIVE/MARE re- considers your nightmares; re- examines your daydreams; re- contextualizes pre-existing (video art? videotaped performance work? found footage?) through re- presenting, re- editing, re -mixing. Featuring works that re- search, re- consider, re- examine, re- contextualize nightmares, daydreams, flying-fancies, hyper-realities. Also included: live re- mixing pre- existing work with new live footage to re- consider it in under the cold, hard, clinical (or soft warm fuzzy *wicked grin ) light of the telematic screen.

    Fechas: 

    De Martes, Noviembre 1, 2016 (Todo el día) hasta Sábado, Diciembre 31, 2016 (Todo el día)

    Local: 

    ACRE TV - Chicago, Estados Unidos
  • Soft Floor, Hard Film: Celebrating 50 Years of the London Film-Makers’ Co-op

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    Frieze Video and LUX present Soft Floor, Hard Film: 50 Years of the London Film-Makers’ Co-op.

    Formed on October 13th 1968, the London Film-Makers’ Co-operative (LFMC) grew out of a series of screenings in the basement of counter-culture book store, Better Books, on Charing Cross road to become a pioneering organisation incorporating a film workshop, cinema space and distribution office. Radical in its early ideals, the Co-op played a crucial role in establishing moving image as an art form in the UK and internationally.

    Fechas: 

    Jueves, Octubre 13, 2016 - 19:00

    Local: 

    Institute of Contemporary Arts - London, Reino Unido
  • Máster LAV III edición

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    Abierta la inscripción para la III edición del Máster LAV (Laboratorio Audiovisual de Creación y Práctica Contemporánea). LAV es un espacio para pensar el cine. Un laboratorio de creación de nuevas formas e investigación del lenguaje audiovisual contemporáneo

    Más info sobre el programa aqui: http://goo.gl/G4z5KC

    Fechas: 

    Lunes, Octubre 10, 2016 (Todo el día)
  • VICO, videoclub of expanded operation

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    VICO is a dynamic device, a portable mini-archive of video that has been activated through different tasks and in different environments. As it was launched, it was articulated over a nomadic chassis that traveled to different places for its exhibition and operation. It then became an interpersonal hub, linking institutions and individuals, with the aim of researching current artistic audiovisual practices, the conformation of local identities, media-based political expressions and other sociocultural configurations of the mediasphere. Its objective has been to study and affect in different forms the cultural inertias of a collective visual memory in Mexico.

    Fechas: 

    De Viernes, Julio 1, 2016 (Todo el día) hasta Domingo, Julio 31, 2016 (Todo el día)

    Local: 

    ACRE TV - Chicago, Estados Unidos
  • Bruce Conner: It’s All True

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    Bruce Conner: It’s All True is the first monographic museum exhibition in New York of the artist Bruce Conner, the first large survey of his work in 16 years, and the first comprehensive retrospective. The exhibition brings together over 250 objects in mediums including film and video, painting, assemblage, drawing, prints, photography, photograms, and performance.

    Bruce Conner: It’s All True presents a lifetime of work by Conner (1933–2008), one of the foremost American artists of the 20th century, whose transformative work defies straightforward categorization. An early practitioner of found-object assemblage and a pioneer of found-footage film, Conner was a singular member of both the underground film community and the flourishing San Francisco art world, achieving international standing early in his career. His work across a broad range of mediums touches pointedly on various themes of postwar American society, from the excesses of a burgeoning consumer culture to the dread of nuclear apocalypse. Conner’s diverse practice also anticipated the fluidity between mediums that is a hallmark of 21st-century art making. In addition to moving images and assemblages, he produced paintings, drawings, sculptures, prints, photographs, installations, and conceptual interventions.

    Fechas: 

    De Domingo, Julio 3, 2016 (Todo el día) hasta Domingo, Octubre 2, 2016 (Todo el día)

    Local: 

    MoMA New York - , Estados Unidos
  • Indefinite Visions

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    This two-day event brings together academics, film-makers and artists for presentations, conversations, and screenings to explore the indefinite and the illegible in experimental film, artists’ film and video, and commercial cinema.

    Light, motion, definition, compression: the conditions of recording, storing and screening moving image are subject to constant variations that pull them away from perfect visibility. Film-makers and artists often seek out and work with the resulting visual uncertainty, from the warping of space to the melding of senses; speed to slowness; darkness to glare; and blur to glitch. Indefinite Visions explores the possibility that an important function of moving image is not to show but to obscure, and that – like the photographer in Michelangelo Antonioni’s Blow Up – the closer and deeper we look at an image, the less clear it becomes.

    Fechas: 

    De Viernes, Junio 24, 2016 (Todo el día) hasta Sábado, Junio 25, 2016 (Todo el día)

    Local: 

    Whitechapel Gallery - London, Reino Unido
  • Sally Golding: Your Double My Double Our Ghost

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    Australian-British artist Sally Golding presents two new audiovisual installations which conclude her year-long Embedded residency, delivered in partnership with Sound and Music and the South London Gallery (SLG).

    The installations explore Golding’s interest in perception and phenomenology, and consider audiovisual art as a participatory experience. Golding’s work questions states of reality, challenging notions of narrative and the act of perceiving through the deployment of sonic and visual fragments, and the reworking of the bare components of audiovisual media such as light, substrate, and amplification.

    Fechas: 

    De Miércoles, Mayo 25, 2016 (Todo el día) hasta Domingo, Mayo 29, 2016 (Todo el día)

    Local: 

  • ACRE TV LIVE at The MCA

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    ACRE TV presents a live performance, with playwrights, actors, artists, and a studio audience collaboratively producing and broadcasting LIVE television on ACRETV.org. An hour and a half of living cinema—like a play in which actors meet in the edit.

    Featuring performances by Kelly Lloyd and Jesse Malmed, live music by Ryan Sullivan, acting by Monette McLin and David Lawrence Hamilton, and a new scene written by Calamity West and Nate Whelden. Produced by Kate BowenKera MacKenzie, and Andrew Mausert-Mooney.

    Fechas: 

    Martes, Abril 26, 2016 - De 18:00 hasta 19:30

    Local: 

    ACRE TV - Chicago, Estados Unidos
  • Women's Film Preservation Grant Submissions Open

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    The WOMEN'S FILM PRESERVATION FUND (WFPF), a project of New York Women in Film & Television (NYWIFT) announces the opening of submissions for film PRESERVATION grants for this year. 

    The deadline is June 1, 2016.

    Films made by American women or films made by women from other countries only if they were made in the USA are eligible.. 

    Fechas: 

    Miércoles, Junio 1, 2016 (Todo el día)
  • LaborBerlin 2.0 - FILM AIN'T DEAD

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    LaborBerlin is an artist-run film lab open to everyone interested in analogue film practice, embracing an experimental & DIY approach to moving image production.

    We have started a crowdfunding campaign, aiming to buy professional film processing and printing equipment from Film16, a lab near Cologne, that has recently closed its doors forever.

    www.igg.me/at/filmaintdead

    This is a decisive step towards our artistic autonomy (and of anyone interested in joining our collective), and it will ensure the future of analogue film culture.

    Fechas: 

    Jueves, Marzo 24, 2016 (Todo el día)

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