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Since the late 1950s Stan Brakhage has been in the forefront of independent filmmaking. His body of work — some seventy hours — is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted e
As the writer, director, producer, and cinematographer of almost all her 30 films, videos, and shorts, Abigail Child has been recognized as a major and influential practitioner of experimental cinema since the early 1970s. Hallmarks of her style are the a
HAMMER! is the first book by influential filmmaker Barbara Hammer, whose life and work have inspired a generation of queer, feminist, and avant-garde artists and filmmakers. The wild days of non-monogamy in the 1970s, the development of a queer aesthetic
The life of an extraordinary New Zealander told for the first time. A charismatic personality Lye was a major New Zealand artist and a leading figure in international modernism who lived in London and New York but always retained a South Pacific energy an
Views from Lookout Mountain is the first book to survey the films and visual art works of one of Los Angeles' most exceptional artists.
A History of Swedish Experimental Film Culture: From Early Animation to Video Art is the first scholarly book to be published on the history of Swedish experimental film. It represents the result of a research project funded by the Swedish Research Counci
En el contexto de los nuevos medias y la cultura del remix, ubicado en un paisaje esculpido por los procesos de participación e interactividad, intermedialidad e interdisciplinariedad, hiperrealidad y realidad ampliada, surge el VJing como dispositivo dir
American independent filmmaker Stan VanDerBeek (1927-1984) was one of the first to extend film projection into multimedia spectacle and to embrace video and computer technology: a supreme instance of what critic Gene Youngblood dubbed "Expanded Cinema."
Foreword: Zdenka Badovinac; Preface: Bojana Piškur, Ana Janevski, Jurij Meden, Stevan Vuković; A Brief Introduction to Slovenian Experimental Film: Jurij Meden, Bojana Piškur; Notes on Paradigms in Experimental Film in Socialist Yugoslavia: Stevan Vuković
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