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  • Fin De Tournage / Done With Filming

    Done with Filming is the title of a film made by Maurice Lemaître between 1985 – 1990. It is composed of a collection of slides, primarily from New Wave films, on which the artist has intervened in multiple ways: with touch-ups, smudges, and graphic and visual interventions. Simultaneously, the soundtrack consists of a fake journalistic-style interview in which Lemaître, in his characteristic manner that is both serious and humorous, gives an account of his relationship with cinema, criticism, and creation.

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    Promedio: 1 (1 voto)

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    35 EUR

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  • Codes for North: Foundations of the Canadian Avant-Garde Film

    Codes for North is a study of the early evolution of the Canadian avant-garde film and its roots in an aesthetic of difficulty. Stephen Broomer traces the evolution of this cinema through the work of three artists—Jack Chambers, Michael Snow and Joyce Wieland—from their early development as painters in the 1950s to the creation of their epic films: Reason Over Passion (1969), The Hart of London (1970), and La Region Centrale (1971). Their work formed in response to a strain of Neo-Dada that took root in southern Ontario in the late 1950s.

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    Promedio: 1 (1 voto)

    Precio: 

    25 USD

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  • HOLON (1982-2017)

    Holon is a flipbook that creates an illusion of motion when the pages are flipped through rapidly.

    The images of this artist’s flip book are taken from an eponymous abstract film made by Christian Lebrat in 1982. The book can be turned over and flipped as well; the two directions correspond to the two sections of the film. It comes in a sleeve. The resulting artwork presents the film in another form.

    A flip book for the curious, for collectors, for flipbook lovers.

    Limited edition of 800 copies.

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    Promedio: 1 (1 voto)

    Precio: 

    23 EUR

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  • Buenos Aires Experiment

    At the beginning of the new millennium, an explosion of experimental film took place in the Buenos Aires movie scene, and creators whose work attracted attention at world festivals began to appear in large numbers. In seven works by various authors the book Buenos Aires Experiment seeks to look at the conditions of experimental filmmakers´ work and to reflect on it in the context of broader artistic scene. It also follows links to Argentinean experimental authors from the late 1960s to early 1980s, which the young generation endorse.

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    Promedio: 1 (1 voto)

    Precio: 

    249 CZK

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  • Conversations with Filmmakers. Movie Journal Columns 1961-1975

    Pioneer avant-garde filmmaker, poet and artist Jonas Mekas (born 1922) was the barometer of the New York art scene in the 1960s and ‘70s. His interviews with Andy Warhol, Stan Brakhage, Susan Sontag, John Cassavetes, Carolee Schneemann, Yvonne Rainer, Claes Oldenburg, Kenneth Anger and Michael Snow, among many other avant-garde artists and filmmakers for his weekly column in the Village Voice between 1958 and 1977, are gathered here for the first time in this substantial publication.

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    Promedio: 1 (1 voto)

    Precio: 

    38 EUR

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  • Lessons in Perception. The Avant-Garde Filmmaker as Practical Psychologist

    Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson.

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    Promedio: 1 (1 voto)

    Precio: 

    85 GBP

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  • Laida Lertxundi: Landscape Plus

    Landscape Plus is the first monography on the work of the Spanish-born, Los Angeles-based filmmaker Laida Lertxundi, published in collaboration with fluent.
    With essays by Erika Balsom, Anna Mannubens, Laida Lertxundi, and Alejandro Alonso Díaz this book explores the wider practice of the artist, featuring a number of premiered visuals, plus sets of images illustrating her exhibitions, projects, and works. For the first time since Lertxundi began making films, a publication maps her overall practice and allows for enhanced readings that navigate around film-theory, feminism, and subjectivity. As a whole, the book intends to present an essential constellation of Lertxundi’s universe.

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    Promedio: 1 (1 voto)

    Precio: 

    25 USD

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  • The New American Cinema Group

    Antología de textos de Film Culture (1959-1968)

    Valoración: 

    Promedio: 1 (1 voto)

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  • I Seem to Live: The New York Diaries. vol. 1, 1950-1969

    I Seem to Live. The New York Diaries, 1950–2014 is Jonas Mekas’s key literary work. The first volume of this magnum opus, covering the period from 1950-69, appears posthumously one year after his death. It stands on an equal footing with his cinematic oeuvre, which he initially developed together with his brother Adolfas after their arrival in New York. In 1954, the two brothers founded Film Culture magazine, and in 1958 Jonas began writing a weekly column for The Village Voice.

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    Promedio: 1 (1 voto)

    Precio: 

    38 EUR

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  • Germaine Dulac - Writings on Cinema

    Edited by Prosper Hillairet, this new English translation brings together the principal texts, interviews, and speeches by the pioneering filmmaker and feminist Germaine Dulac (1882 1942), a major figure in the history of experimental film

    Links are provided to many of the key films mentioned by Dulac.

    Writings on Cinema is available

    for Kindle here

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    10 EUR

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