Peter Weibel's performances differentiate themselves from other actions performed in the 1960s, for instance in Vienna and California, firstly, through their relation to media and secondly, through their relation to politics. His body politics is body critique that is simultaneously a critique of traditional forms of representation as well as identity politics. Unlike classical body artists Weibel did not only search fort he emancipation of the body, for instance through the sexual revolution but liberation from the body in the age of its constructability via media and gene technology. (Peter Weibel)
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Maya Deren is one of the most important American experimental filmmakers of all time and Kino Classics and Re:Voir are proud to present new 2K restorations of her essential work. Along with being a filmmaker, Deren was a choreographer, dancer, film theorist, poet, lecturer and photographer, and she brings all of these disciplines together in her dreamlike and ecstatic films.
Precio:34,95 USD29,90 EUR
Rewind: Artists video in the 70s and 80s derives from a four-year research project into the history of an art form that has become the hallmark of contemporary art. Based on an archive of interviews, ephemera and archive copies of tapes and installations from the pioneering period of British video art, this anthology brings together some of the leading scholars in the field, backed by an expert panel, to lay the groundwork for a history of the people, activities, institutions and interventions that made of video art the one true avant-garde in the United Kingdom in the 20th century. Rewind is the founding text for the history of British video art; draws on a unique archive of oral history and personal experience; and opens up the archive for contemporary artists, curators, media historians and archivists.
This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.
Herbert’s text provides an incisive overview of Smith’s work over the past four decades while Christie examines Smith’s oeuvre within the context of English eccentricity. Meyer’s essay discusses Smith’s film The Black Tower in relation to absence and abstraction while de Seife looks at cinematic scale through the prism of Smith’s Gargantuan.
All of the films collected on this DVD have in common a focused and precise observation of spatial structures. Whether interiors, spaces that have to do with the material or cinematic spaces, whether the city of Calcutta or specific places in Vienna: Sche
Bärbel Neubauer has been creating animation and experimental films since 1980 and composing music and film music since 1991. An Austrian artist living in Germany, Neubauer works in a variety of film mediums including 70mm, 35mm and digital formats. Her practice spans handmade filmmaking techniques of painting and scratching directly on to celluloid through to digital 3D abstract animation.
Andy Warhol was a remarkably prolific filmmaker, creating more than 100 movies and nearly 500 of the film portraits known as Screen Tests. And yet relatively little has been written about this body of work. Warhol withdrew his films from circulation in the early 1970s and it was only after his death in 1987 that they began to be restored and shown again. With “Our Kind of Movie” Douglas Crimp offers the first single-authored book about the full range of Andy Warhol’s films in forty years--and the first since the films were put back into circulation.
‘You hear it everywhere: Cinema is tipping over – its epic and dramatic forms are spilling over into television, avant-garde and experimental films have fled to the galleries, and all the images that once belonged to it are now available everywhere, anytime. At the Austrian Film Museum, we tend to refrain from such sweeping and simple-minded swan songs. For this very reason, we are honoured to participate in Vertical Cinema – a project committed to taking one step at a time. Instead of trying to tip cinema in its entirety into the digital netherworld, this project is content with just tipping the screen – observing how an artform changes if you respectfully chafe at its edges.’ – Alexander Horwath, Director of the Austrian Film Museum
Framework: The Journal of Cinema and Media vol.56 issue 1 is devoted entirely to the writings of avant-garde artist Warren Sonbert. The journal features reproductions of Sonbert's original typed, handwritten and published documents. The issue is guest edited by Jon Gartenberg and is organized into sections related to Sonbert's interests in art, music, poetry, travel and film.
Acknowledgments and Accreditations
Book + DVD + Magazine
The heart of Friedl Kubelka’s photographic work (who as a filmmaker goes by the name of Friedl vom Gröller) is constituted by portraiture – whether she captures friends, acquaintances, family members, filmmakers, artists or simply clients, each for the most part gazing directly into the camera. Since 1972 to the present, Kubelka has also placed herself in front of the camera for her project Jahresportraits (Year’s Portraits) in which she mercilessly documents the process of aging. It has become the structural credo of Kubelka’s artistic practice to juxtapose the individual photograph with many other photographs.
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