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  • Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson

    Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    27.95 USD

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  • Morgan Fisher. Two exhibitions

    Sabine Folie and Susanne Titz (Ed.), edited for the Generali Foundation, Vienna and Museum Abteiberg, Mönchengladbach 2012.

    With introductions by Sabine Folie and Susanne Titz, essays by Thom Andersen, Rainer Bellenbaum / Sabeth Buchmann, Yve-Alain Bois and short texts by Morgan Fisher

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    34 EUR

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  • Indiscretions - Avant-Garde Film, Video, and Feminism

    Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    25 USD

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  • Joseph Cornell Versus Cinema

    Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. 

    However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    65 USD

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  • The George Kuchar Reader

    Despite being a consummate polymath, George Kuchar (1942-2011) is best known as a pioneering underground film and video maker with a disarming do-it-yourself aesthetic and a hilariously eccentric sensibility. Quirky and ingenious, heartfelt and campy, Kuchar's movies know no boundaries and are an entirely unique development in the history of cinema. The artist's characteristic instinct for kitsch, his humor and conceptual brilliance, were not confined to the screen alone; they can be glimpsed in all the activities he carried out throughout his life. The George Kuchar Reader, edited by Andrew Lampert, collects a wide swath of previously uncollected and newly unearthed writings and visual work, including essays, comics, drawings, paintings, photographs, film stills, scripts, movie blurbs, correspondence, letters of recommendation for his students, documentation of his UFO sightings, excerpts from his dream journal, selections from his private notebooks and much more.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    27.50 USD

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  • Fabriques du Cinéma Expérimental

    Comment vivent et travaillent, à l' «ère du numérique», les cinéastes expérimentaux? Qu’en est-il de leur attachement à la matérialité de l'objet-film? Quels sont leurs outils, leurs rapports à la création, leurs manières de penser, de fabriquer et d'habiter les images et les sons? Comment financent-ils leurs projets? Quel regard portent-ils sur leur parcours et sur les mutations décisives que connait aujourd'hui le cinéma, y compris «expérimental», envisagé dans sa dimension esthétique, pratique, technique, économique et institutionnelle?

    Entretiens avec Martin Arnold, Frédérique Devaux, Olivier Fouchard, Ken Jacobs, Christian Lebrat, Rose Lowder, Nicolas Rey, Silvi Simon, José Antonio Sistiaga.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    35 EUR

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  • Exhibited Cinema – Exhibiting artists’ films, video art and moving image

    The aims of this book are twofold: on the one hand, based on archival research, it seeks to identify the status of film and of the moving image in the field of contemporary art in French-speaking Switzerland and abroad; on the other hand, it aims at assessing the influence of exhibition contexts on a multiplicity of film practices (on their temporal aspects, the multiplication of surfaces of projection, the reception by a mobile spectator).

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    30 EUR

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  • 8 Affinities: Jaap Pieters & John Porter

    Jaap Pieters, based in Amsterdam, and John Porter, from Toronto, are two of the most prolific Super 8mm filmmakers alive. Pieters has been making Super 8mm films since the early 1980s and Porter's work goes as far back as 1968. Both are considered to be important, although perhaps eccentric, members of their local film scene. 8 Affinities brings them together in a long candid conversation about their filmmaking, shared interests and divergent practices.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    8 USD (book)
    10 CAD (PDF)

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  • Ben Rivers: Ways of Worldmaking

    Ways of Worldmaking is the first comprehensive monograph on British experimental filmmaker Ben Rivers (born 1972). In recent years, Rivers has been celebrated as one of the most important experimental filmmakers of his generation. The series of exhibitions collected in this book explore the diversity and breadth of his work. Often following people who have in some way separated themselves from society, the raw film footage provides Rivers with a starting point for creating oblique narratives imagining alternative existences in marginal worlds.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    34 EUR

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  • Other Cinemas : Politics, Culture and Experimental Film in the 1970s

    The 1970s was an enormously creative period for experimental film. Its innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer/director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection.

    Valoración: 

    Promedio: 1 (1 voto)

    Precio: 

    Hardcover - 69 GBP
    Paperback - 20 GBP

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