Este libro analiza las formas audiovisuales experimentales que han tenido presencia desde la segunda mitad del siglo XX en Chile. Trata de cine y video experimental, incluyendo nociones como las de video-arte, cine-expandido, video de artista, video-instalación, video-creación, documental experimental o ensayo audiovisual. Estas prácticas los autores las piensan en conjunto, no como algo pretérito, sino como un presente activo inscrito en una genealogía histórica. Visiones Laterales.
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These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as »home movies«, they record actionistic performances in the directors´ own living quarters, with added soundtracks of i
STAR SPANGLED TO DEATH is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.
"Another Tomorrow: Young Video Art from the Collection of the Neue Galerie Graz am Landesmuseum Joanneum"
Selected by Günther Holler-Schuster, in conjunction with the Slought Foundation exhibition (2008)
Featuring works by Martin Kaltner/Thomas Baum
Film director Boris Lehman returns, after 44 years, to Lausanne, where he was born in 1944, at the end of the war. He only lived there one year. His parents were Jews who had sought refuge in Belgium when the Nazis seized power in Poland. Forced to flee f
Three distinct locations are brought together in this film Three Studies in Geography (2011), which encompasses three previously separate films made over the last ten years. Each location presents a particular balance of land, sky and water. The first par
Peter Weibel's performances differentiate themselves from other actions performed in the 1960s, for instance in Vienna and California, firstly, through their relation to media and secondly, through their relation to politics. His body politics is body critique that is simultaneously a critique of traditional forms of representation as well as identity politics. Unlike classical body artists Weibel did not only search fort he emancipation of the body, for instance through the sexual revolution but liberation from the body in the age of its constructability via media and gene technology. (Peter Weibel)
Maya Deren is one of the most important American experimental filmmakers of all time and Kino Classics and Re:Voir are proud to present new 2K restorations of her essential work. Along with being a filmmaker, Deren was a choreographer, dancer, film theorist, poet, lecturer and photographer, and she brings all of these disciplines together in her dreamlike and ecstatic films.
Precio:34,95 USD29,90 EUR
Rewind: Artists video in the 70s and 80s derives from a four-year research project into the history of an art form that has become the hallmark of contemporary art. Based on an archive of interviews, ephemera and archive copies of tapes and installations from the pioneering period of British video art, this anthology brings together some of the leading scholars in the field, backed by an expert panel, to lay the groundwork for a history of the people, activities, institutions and interventions that made of video art the one true avant-garde in the United Kingdom in the 20th century. Rewind is the founding text for the history of British video art; draws on a unique archive of oral history and personal experience; and opens up the archive for contemporary artists, curators, media historians and archivists.
This comprehensive new monograph on the influential British artist-filmmaker—renown for his playful and formally ingenious subversion of the everyday world—contains essays by Ian Christie, Martin Herbert, Kathrin Meyer, and Ethan de Seife.
Herbert’s text provides an incisive overview of Smith’s work over the past four decades while Christie examines Smith’s oeuvre within the context of English eccentricity. Meyer’s essay discusses Smith’s film The Black Tower in relation to absence and abstraction while de Seife looks at cinematic scale through the prism of Smith’s Gargantuan.
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