With a large-format image section and a detailed text section with essays by theorists, artists and companions, this catalog covers everything from Paul Sharits' early structural films through his unique film spaces, graphic works, up to little-known scenic late work. On the basis of many previously unseen works and new research, this catalog approaches an overall impression of this through abstraction and corporeality artistic creation.
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As Hollis Frampton's photographs and celebrated experimental films were testing the boundaries of the camera arts in the 1960s and 1970s, his provocative and highly literate writings were attempting to establish an intellectually resonant form of discourse for these critically underexplored fields. It was a time when artists working in diverse disciplines were beginning to pick up cameras and produce films and videotapes, well before these practices were understood or embraced by institutions of contemporary art.
Working outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he turned his camera on explicit lovemakin
The present publication in e-book format is an english translation from the original 1994 edition, now out-of-print, with a new preface by PROSPER HILLAIRET that puts DULAC’s importance and current relevance into perspective, and a foreword by TAMI M. WILLIAMS, president of Domitor – the International Society for the Study of Early Cinema and author of Germaine Dulac: A Cinema of Sensations.
English translation by Scott Hammen
Foreword by Tami M. Williams
New preface by Prosper Hillairet
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership.
Precio:Paperback - 35 USDHardcover - 105 USDE-book - 34.99 USD
Exploring new and experimental practices with celluloid film in the digital age.
Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective.
Precio:Paperback - 39,95 CADCloth - 130 CAD
Employing monumental projected images and bludgeoning sound environments, the multimedia installations of Kurt Hentschläger and Ulf Langheinrich mark a new stage in the esthetic of sensory overload.
Perhaps America’s most important artist from the last fifty years, Jack Smith is simultaneously hailed as the godfather of performance art, a groundbreaking photographer and the ‘William Blake of film’. His utopian ideals, artistic processes and bejeweled
A crucial figure in 1960s-70s avant-garde film, Paul Sharits was a pioneer of structuralist cinema, an approach to filmmaking that emphasizes and explores the formal dimensions and physical properties specific to the medium. A deeply committed and visionary artist, Sharits began exploring the potential of the single frame and the flicker effect in the mid-1960s, and continued to make many films that took as their subject the filmstrip itself.
Blu-Ray Jacques Perconte - Paysages, 77', contains 4 films (UISHET, APRÈS LE FEU, IMPRESSIONS, CHUVA) and a 44-page booklet.