@article {expcin15984, title = {As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s}, year = {2010}, pages = {259 pp}, publisher = {Museum of Modern Art Warsaw}, address = {Warsaw}, abstract = {

In the late 1960s and {\textquoteright}70s, artists in Yugoslavia rejected the official language of expression licensed by the regime, abstract art, and replaced it with "anti-art". This book explores this crucial period in the Yugoslav art scene and situates it in the broader cultural context of Central and Eastern Europe. The book follows the show "As Soon As I Open My Eyes I See a Film. Experiment in the Art of Yugoslavia in the 1960s and 1970s", Museum of Modern Art in Warsaw, April 24-June 22 2008.

}, keywords = {Antifilm, Yugoslavian Cinema}, isbn = {9788392404439}, author = {Ana Janevski and Stevan Vukovi{\'c} and {\L}ukasz Ronduda and Goran Trbuljak and Hrvoje Turkovi{\'c} and Mihovil Pansini and Slobodan {\v S}ijan and {\v Z}elimir {\v Z}ilnik and Branko Vu{\v c}i{\v c}evi{\'c} and P.Adams Sitney} } @article {expcin15985, title = {This Is All Film: Experimental Film in Yugoslavia 1951-1991 / Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991}, year = {2010}, pages = {154 pp}, publisher = {Museum of Modern Art Ljubljana}, address = {Ljubljana}, abstract = {

On the occasion of the exhibtion at the Moderna galerija, Museum of Modern Art, Ljubljana, 22. 12. 2010-28. 2. 2011

}, keywords = {Yugoslavian Cinema}, isbn = {9789612060909}, author = {Bojana Pi{\v s}kur and Tamara Soban and Ana Janevski and Jurij Meden and Miha Pe{\v c}e and Stevan Vukovi{\'c}} } @article {expcin15979, title = {Placing spaces, spacing places : Canadian experimental films \& videos since 1990}, year = {2003}, pages = {35 pp}, publisher = {Mount Saint Vincent University Art Gallery}, address = {Halifax}, abstract = {

Contents:

}, keywords = {Canadian Cinema}, isbn = {9781894518161}, author = {Gerda Cammaer and Paulette Phillips and Dennis Day and Manon Labreque and Daniel Cockburn and Gunilla Josephson and Ian Toews and Paul Landon and Michael Yaroshevsky and Barbara Sternberg and Jean Th{\'e}berge and Jason Britski and Phillip Hoffman and Michael Crocheti{\`e}re and Emanuel Avenel and Marie-France Giraudon and Nelson Henricks and Kika Thorne and John Price and Benny Nemerofsky Ramsay and Serge Cardinal and Nikki Forrest} } @article {expcin15975, title = {Desmontaje: film, v{\'\i}deo, apropiaci{\'o}n, reciclaje}, year = {1993}, pages = {205 pp}, publisher = {Institut Valencià d{\textquoteright}Art Modern}, address = {Valencia}, abstract = {

Catalog of the exhibition held at IVAM Centre Julio González and other venues Feb. 26-June 8, 1993. Bonet introduces this investigation of the use of found footage in film and video with a history of the genre. Five essayists discuss "scratch video," found imagery composed entirely of quoted material, the use of archival footage, and the impact and principles of collage. With comments (mostly reprinted) on works by 60 artists and collectives.

}, keywords = {Found footage}, isbn = {9788448201319}, author = {Eugeni Bonet and William C Wees and John Wyver and Catherine Elwes and Joel Katz and Yann Beauvais and Ken Jacobs} } @book {expcin15992, title = {Teorija {\v c}eske avangarde 1908-1937}, year = {1987}, pages = {86 pp}, publisher = {Institut za film}, organization = {Institut za film}, address = {Belgrade}, abstract = {

Anthology of Czech texts about avant-garde film.

}, keywords = {Czech Cinema}, url = {https://monoskop.org/images/8/82/Andjel_Stanivuk_ur_Teorija_ceske_avangarde_1908-1937.pdf}, author = {Jaroslav Andjel and Vaclav Tile and Karel Capek and Jo{\v z}ef Capek and Franti{\v s}ek Langer and Jan Mukar{\v z}ovski and Roman Jakobson and Milo{\v s} Vajngart and Emil Franti{\v s}ek Burijan and Vladislav Vancura and Jind{\v z}ih Honzl}, editor = {Jaroslav Andjel and Ljubica Stanivuk} } @book {expcin16009, title = {Experiment in the Film}, year = {1949}, pages = {312 pp}, publisher = {Grey Walls Press}, organization = {Grey Walls Press}, address = {London}, keywords = {Abel Gance, Alexandre Alexeieff, American Cinema, Austrian Cinema, Basil Wright, British Cinema, Carl Dreyer, Cavalcanti, Chester Kessler, David Lean, Ernoe Metzner, Fernand L{\'e}ger, French Cinema, Germaine Dulac, German Cinema, Grahame Tharp, Hans Richter, Jacques Pr{\'e}vert, James Broughton, Jean Epstein, Jean Painlev{\'e}, Jean Renoir, Jean Vigo, Len Lye, Lewis Jacobs, Louis Delluc, Louis Feuillade, Lu{\'\i}s Bu{\~n}uel, Marcel L{\textquoteright}herbier, Maya Deren, Melville Webber, Oskar Fischinger, Paul Rotha, Percy Smith, Pierre Pr{\'e}vert, Ralph Steiner, Ren{\'e} Clair, Robert Florey, Russian Cinema, Sara Arledge, Scientific Cinema, Sidney Peterson, Slavko Vorkapich, Walther Ruttmann}, url = {https://archive.org/details/experimentinfilm00unse}, author = {Jacques B. Brunius and Lewis Jacobs and Grigori Roshal and Roman Karmen and Ernst Iros and Hans Richter and Edgar Anstey and John Maddison}, editor = {Roger Manvell} }