Bibliography

Exportar 73 resultados:
Filtros: Book is paris-vu-par-le-cin%C3%A9ma-davant-garde-1923-1983  [Elimina todos los filtros]
2013
Youngblood G.  2013.  Expanded cinema. Mediaversi. :xvi+388.
2012
Youngblood G.  2012.  Cine expandido. :456pp.
Streltsova A, Shishko O, Hales C, Putyatin R, Tikka P, EXPORT VALIE, Long K, Krajewski P, Kohut T.  2012.  Expanded Cinema 2. Immersions: Towards the Tactile Cinema / Расширенное кино 2. :148pp.
Di Marino B, Meneguzzo M, La Porta A, Annunziata G, Censi R, Costa A, Fragapane GDaniele, Licciardello A, Lischi S, Palmerino D et al..  2012.  Lo sguardo espanso. Cinema d'artista italiano 1912-2012. :312pp.
Pfeffer S, Lotringer S, McCormick C, Mekas J, Sargeant J, Zedd N.  2012.  You Killed Me First: The Cinema of Transgression. :175pp.
2011
Ignatova A, Shishko O, Frohne U, Manovich L, Kroker A, Kroker M, Lundemo T, Bellour R, Turkina O, Bullot É et al..  2011.  Expanded Cinema / Расширенное кино. :135pp.
2010
Janevski A, Vuković S, Ronduda Ł, Trbuljak G, Turković H, Pansini M, Šijan S, Žilnik Ž, Vučičević B, Sitney P.A.  2010.  As Soon as I Open My Eyes I See a Film: Experiment in the Art of Yugoslavia in the 1960s and 1970s. :259pp.
Abrahams A, Opdam C, Graveland M.  2010.  film³ [‘kju:bIk fIlm]: New Cubic Films from the Netherlands. :392pp.
Piškur B, Soban T, Janevski A, Meden J, Peče M, Vuković S.  2010.  This Is All Film: Experimental Film in Yugoslavia 1951-1991 / Vse to je film: Eksperimentalni film v Jugoslaviji 1951-1991. :154pp.
Schlicht E, Hollein M.  2010.  Zelluloid: Film ohne Kamera = cameraless film. :190pp.
2006
Poole S, Evans G, Littman S, Weinbren G, Gidal P, Welsby C, Hamlyn N, Parker J, Gawthrop R, McCall A et al..  2006.  Experimental Film and Video: An Anthology. :302pp.
2005
Escoffet E, Bonet E.  2005.  Próximamente en esta pantalla: el cine letrista, entre la discrepancia y la sublevación. :341pp.
2004
Deren M.  2004.  Écrits sur l'art et le cinéma. :120pp.
Abrahams A, Graveland M, van Hoof P, van ‘t Hart E.  2004.  mm2: Experimental Film in the Netherlands since 1960. :286pp.
2003
Cammaer G, Phillips P, Day D, Labreque M, Cockburn D, Josephson G, Toews I, Landon P, Yaroshevsky M, Sternberg B et al..  2003.  Placing spaces, spacing places : Canadian experimental films & videos since 1990. :35pp.
2002
Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al..  2002.  Experimental Cinema: The Film Reader. :356pp.
Sitney P.A.  2002.  Le cinéma visionnaire: L'Avant-garde américaine (1943-2000). :440pp.
Webber M, Rees A.L.  2002.  Shoot Shoot Shoot: The First Decade of the London Film-Makers’ Co-operative and British Avant-Garde Film 1966-1976. :8pp.
Mitry J.  2002.  Storia del cinema sperimentale. :319pp.
2000
Brenez N, Lebrat C.  2000.  Jeune, dure et pure! Une histoire du cinéma d’avant-garde et expérimental en France.
Brenez N, Lebrat C.  2000.  Jeune, dure et pure! Une histoire du cinéma d'avant-garde et expérimental en France. :591pp.
1995
Posner B, O’Grady G.  1995.  Articulated Light: The Emergence of Abstract Film in America. :16pp.
1993
Bonet E, Wees WC, Wyver J, Elwes C, Katz J, Beauvais Y, Jacobs K.  1993.  Desmontaje: film, vídeo, apropiación, reciclaje. :205pp.
1992
Mekas J.  1992.  Ciné-Journal: Un nouveau cinéma américain (1959-1971). Classiques de l’Avant-Garde. :400pp.
1991
[Anónimo].  1991.  F.I.L.M. A magyar avantgarde film története és dokumentumai. :351pp.

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