In her brief life, Marjorie Keller made nearly thirty films in her own distinctive cinematic voice. From her earliest efforts in the late 1960s, Marjorie was attracted to film’s potential to portray the complexity of private events and personal relationships, mostly in response to family life. Her gestural and vivid camerawork, along with an intricate approach to poetic editing, created a body of work that is unsurpassed in its intimacy and conveyance of feelings and concerns.
Submissions for the 12th Montréal Underground Festival are now open! MUFF celebrates low-budget filmmaking and promotes those who challenge the constraints and conventions of mainstream Hollywood. Co-founded by Karina Mariano and Zoë Brown, MUFF has morphed into a collective of independent filmmakers, writers, teachers and cinephiles committed to seeking out edgy films bristling with a sense of creative freedom, energy and experimentation. Films in any way affiliated with a major motion picture studio, and “calling-card” films (aka, slick, thinly disguised shout-outs to the commercial industry), were ineligible.
Alternative Film/Video Belgrade (Serbia) is an international festival for new film and video tendencies and one of the oldest manifestations of its kind in Europe. It was founded in 1982 by Miodrag Miloševic as an antidote to commercial film and video-making and to support unconventional practices while celebrating moving image cultures. Alternative Film/Video Belgrade is organized by and hosted at Academic Film Center in Belgrade, which was established in 1958 as a kino club and where many iconic filmmakers worked, including Tomislav Gotovac, Živojin Pavlovic, Radoslav Vladic, and others.
Wednesday, December 7, 2016 (All day) to Sunday, December 11, 2016 (All day)
At a time when images are increasingly subject to digital processing through a multiplicity of technologies and formats, artists are confronted by a plethora of visual and expressive possibilities. The 16mm films and videos by New York artists assembled for this programme present personal ways of chemically or digitally manipulating moving images.
Works by Peggy Ahwesh, Katherine Bauer, Lisa Gwilliam & Ray Sweeten (DataSpaceTime), Sarah Halpern, Josh Lewis, Zach Nader, Keith Sanborn, Leslie Thornton, Matt Town
Please join Canyon Cinema on the evening of Thursday, December 15th, 2016 at New Nothing Cinema for the next installment in our Salon series. We’re pleased to welcome filmmaker Adele Horne who will present an evening of films set in gardens and forests.
“I am honored to come up with this dream program showing my films alongside work by Ernie Gehr and Naomi Uman, whose delicate and startling visions have changed the way I see the world.” – Adele Horne
Sink or Swim is a sophisticated poetic ode addressed by Su Friedrich to his father, a linguist who left his family when the filmmaker was a child. Raymonde Carasco formally revisits the myth of Gradiva, causing the pathological symptoms to migrate (in response to Freud's study of the text of the writer Jensen) towards plastic variations in which thought becomes form. Two dissymmetrical approaches of the "essayist cinema" under the sign of the questioning of the fathers (direct for Su Friedrich, linked to the archetypes in Raymonde Carasco).
Close-Up is pleased to present the films of Nina Danino, including her most recent feature film Jennifer. Ranging from early 16mm works – which combine observational narrative with personal or subjective memory to inscribe and defer the representation of the woman – to her recent studies of the unseen women who dedicate themselves to enclosed monastic lives, Danino seeks to capture the ephemeral aspects of place through the medium of film.