Surveying the experimental cinematic practice of the artist through film stills created from the 1960s-2010s, the online exhibition coincides with his newly published limited edition book of photographs, ECLOGUES: Letters and Correspondence, each signed and numbered by the artist and published by Peter Blum Edition.
Thursday, June 11, 2020 (All day) to Thursday, July 9, 2020 (All day)
DEMO Contagion is an online moving image festival, whose aim is to address the topic of Contagion through a series of works by moving image artists and researchers. Taking the current Covid-19 crisis as a starting point, the notion of Contagion will be explored as an aesthetic and political paradigm. A series of screenings, newly commissioned special projects, and a reader will be presented on DEMO’s online platform.
Monday, June 15, 2020 (All day) to Friday, July 24, 2020 (All day)
Asian Artist Moving Image Platform is pleased to announce our first Projections which is an online screening platform of artists and filmmakers moving image works. Founded in 2018, AAMP is a curatorial platform working for Asian Artist Moving Image works based on research collective with artists, filmmakers and curators in Asia.
Friday, June 5, 2020 (All day) to Sunday, July 5, 2020 (All day)
Movimcat presents Urban Landscapes, an online program curated by Valen Via, featuring films by Karel Doing, Zachary Epcar, Eva Kolcze, Ross Meckfessel, OJOBOCA and Mike Stoltz.
Introducing Movimcat's new guest curator:
Valen Via is a film researcher and curator from Barcelona, Spain. He is currently investigating the relations between landscape, ecology and the materiality of film. He is studying a postgraduate degree in Film Curating at Elías Querejeta Zine Eskola.
Monday, June 15, 2020 (All day) to Saturday, June 20, 2020 (All day)
Collage or compilation. Found footage film or recycled cinema. Remix or détournement. Whatever one might call it, the practice of incorporating preexistent media into new artworks engenders novel juxtapositions, new ideas, and latent connotations… often entirely unrelated to the intentions of the original makers. In that regard, such works are truly “inappropriate.” Indeed, the act of (in)appropriation can reveal unimagined relationships between past and present, here and there, intention and subversion, artist and critic, and perhaps even compel us to reexamine what it means to be the "producer" or "consumer" of visual culture itself.
Friday, June 12, 2020 (All day) to Sunday, June 14, 2020 (All day)