Christopher Harris’s films often examine geographic space as a locus for competing layers of representation and perception. still/here (2000) is a meditation on the vast landscape of ruins and vacant lots that constitute the north side of St. Louis, Missouri, an area populated almost exclusively by working-class and working poor African Americans. The film explores the vestiges of a once-thriving community through evocative imagery of derelict cinemas, fading billboards, and abandoned domestic spaces, asking the viewer to reflect on the causes of this decay.
Arthur Cantrill and Corinne Cantrill (born in Sydney, Australia, in 1938 and 1928 respectively) have made more than a hundred films since 1960. Their work covers different forms and genres: documentary, experimental cinema, expanded cinema, performance and sound art. They meet in the late fifties in Brisbane and since then they share a long and prolific personal and artistic relationship.
Edwin Rostron is one of the most interesting British experimental animators of the moment. His films work mainly with drawings, with non-predetermined animation processes that allow the unconscious and surprise to enter. His personal graphic style merges with imagery and found sounds, creating a unique and non-transferable universe. In this session we will see a representative selection of his personal work, from an initial piece made at the university to his most recent films.
The special programme “Expanded Painlevé”, conceived with guest curator Federico Rossin, combines the films of Jean Painlevé, surrealist poet of wildlife, with those by filmmakers from the American and European avant-garde who have pursued different modes of openness to the animal world.
The TRANSFER Architecture Video Award is an independent award, to be launched in 2019, to recognise the most creative and innovative short films in the field of architecture, city and landscape worldwide.Video is becoming increasingly instrumental in analysing architecture and the human environment, and is directly related to the digital networks that underpin contemporary communication. With the TRANSFER Architecture Video Award, we aim to highlight the contributions that best represent new means of knowledge and analysis of architecture using video as a support.
Marienbad Film Festival aspires to become the only Czech film festival dedicated primarily to the discovery of new filmmaking approaches in domestic and world cinema. For Mariánské Lázně locals and outside visitors the program also provides the unique experience of large-screen projections of classical cinematography in the picturesque settings of the spa town. The festival is punctuated by a rich accompanying program.
The cinema is a magical place. In 1975, Roland Barthes mused aboutce noir du cinémaas simultaneously hypnotic and fixative, fascinating and liberating. Sometimes, experimental films seek out the slumber that is distinctive of cinema, then again, they oppose it, celebrate alienation, break through the fourth wall and appeal to the awake spectator, leaving behind familiar film forms, good taste and cultural patterns.