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  • Cineinfinito #90: Marie Louise Alemann

    Marie Louise Alemann (North Rhine-Westphalia, 1927 - Buenos Aires, 2015) was a pioneer filmmaker of Argentine experimental cinema. Between the seventies and eighties, she teamed up with fellow filmmakers such as Narcisa Hirsch, Claudio Caldini and Juan José Mugni, among others, and played an important role in the promotion of experimental cinema in Buenos Aires.

    Dates: 

    Sunday, June 2, 2019 - 18:00

    Venue: 

    Círculo de Bellas Artes - Madrid, Spain
  • Stan Brakhage: An Adventure in Perception

    Avant-garde filmmaker Stan Brakhage moved to New York in 1954, a stay which culminated in the seminal film Anticipation of the Night. Brakhage broke with the idea that film should record and tell a story acted out for the camera. Here, there is no on-screen protagonist; the protagonist is the director, the images on screen communicate his subjectivity. To do so, Brakhage developed an array of strategies and techniques, including fluid handheld camera movements, rapid editing, and the use of abstract imagery.

    Dates: 

    Tuesday, May 28, 2019 - 19:00

    Venue: 

    Barbican Cinema - London, United Kingdom
  • Analog Memories - The Hungarian Experimental Cinema

    LOOK INSIDE THE GHOST MACHINE (Péter Lichter / Hungary / 2012 / 4’)
    The first avant-garde filmmakers believed that cinema had the function of a machine, created to manage pure emotions.

    NUTRITION FUGUE (Péter Lichter / Hungary / 2018 / 4’)
    'Közért' (translation: 'for the public') was a chain of stores run by the government of Hungary during communism (1948-1989). The word 'közért' is still present in Hungarian. Our film was made with ads from these stores, their original 35mm films were decomposed and cut into pieces.

    Dates: 

    Thursday, May 23, 2019 - 18:00

    Venue: 

    Cineteca Madrid - Madrid, Spain
  • Contested Grounds: Films by Arthur and Corinne Cantrill

    Over a period of more than 60 years now, Arthur and Corinne Cantrill have created a filmic cosmos that is unrivaled in its polymorphic experimental visual and tonal abundance. Their works range from documentaries to experimental films, from multi-screen installations to performances and sound art. Between 1971 and 2000, they also edited and published Cantrill Filmnotes, an international journal about experimental film, video and the applied arts. Their oeuvre explores artists, social movements and particularly Australia’s landscape.

    Dates: 

    Monday, June 3, 2019 (All day)
    Thursday, June 6, 2019 (All day)
    Saturday, June 8, 2019 (All day)
    Monday, June 10, 2019 (All day)
    Friday, June 14, 2019 (All day)
    Saturday, June 15, 2019 (All day)
    Sunday, June 23, 2019 (All day)
    Wednesday, June 26, 2019 (All day)
    Sunday, June 30, 2019 (All day)

    Venue: 

  • Radicales libres: Mary Ellen Bute

    A programme of animated short films by Mary Ellen Bute, pioneer of experimental animation. Her works, which explore the relationship between abstract image and music, were used as headboards in some of the most prestigious cinemas in the United States, such as the legendary Radio City Music Hall.

    16mm film programme from Center for Visual Music.

    Programme:

    Dates: 

    Saturday, May 25, 2019 - 20:00

    Venue: 

  • ALTERNATIVE FILM/VIDEO 2019 – Call for Entries: The Great Acceleration

    ALTERNATIVE FILM/VIDEO 2019 will take place from 11-15 December at Students’ City Cultural Center in Belgrade. ALTERNATIVE FILM/VIDEO 2019 invites artists from around the world, including the region and Serbia, to submit their film and video works for the competition section of  ALTERNATIVE FILM/VIDEO on the theme The Great Acceleration. The selection committee, according to the Festival regulations, will choose the films and videos for the competition.

    Deadline: 

    Friday, July 12, 2019 (All day)
  • Barbara Hammer Lesbian Experimental Filmmaking Grant 2019

    The Barbara Hammer Lesbian Experimental Filmmaking Grant is an annual grant awarded to self-identified lesbians for making visionary moving-image art. The grant is supported directly by funds provided by her estate and administered through Queer|Art by lesbians for lesbians, with a rotating panel of judges. In her last few months with us, Barbara decided to increase the grant amount, as she understood so well that a bit of financial help could make a big difference in a project.

    Deadline: 

    Wednesday, July 17, 2019 (All day)

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