"...Reflections of the interior space appear on the window which mediates the camera's view of the exterior, and the frequent readjustments of camera position call attention to the frames of the window and the image...The act of imitation does not occur on the level of movement, but on that of frame: the frame of the window mimics the frame of the image." — Ellen Feldman, "A History of the American Avant-Garde Cinema" catalogue, A.F.A. traveling exhibition.