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  • Hans Richter - Rhythmus 21 (1921)

    An early, serious abstract animation composed solely of squares and rectangles that change shape.

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    Average: 4 (1 vote)

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  • Marcel Duchamp - Anemic Cinema (1926)

    This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around

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    Average: 1 (15 votes)

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  • Man Ray - La retour à la raison (1923)

    By on

    La retour à la raisonLE RÉTOUR À LA RAISON (1923) consists of moving
    geometric designs, intercut with distorted night shots of a
    merry-go-round, then moving three dimensional shapes, and closing with
    the play of bars of light on a woman's nude torso. It was an experiment
    in abstract expressionism that inspired other directors.

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  • Hans Richter - Vormittagsspuk (1928)

    The film "show[s] rebellion of objects, hats, cups, ties, hoses, etc. against man.

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    Average: 5 (1 vote)

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  • Bill Viola - Migration - for Jack Nelson (1976)

    Migration is an analysis of an image, a metaphorical exercise in perception and representation, illusion and reality, microcosm

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  • Bill Viola - Sweet Light (1977)

    Viola has referred to Sweet Light and other tapes from this period as "songs"-personal lyrical statements.

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  • Marina Abramovic - Expansion in space (1977)

    Marina Abramovic's performance 'Expansion in space', with her long time partner Ulay.

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  • John Baldessari - Baldessari Sings LeWitt (1972)

    Baldessari Sings LeWitt"One of Baldessari's most ambitious and risky efforts. Seated and holding a sheaf of papers, he proceeds to sing each of Sol LeWitt's 35 conceptual statements to a different pop tune, after the model of Ella Fitzgerald Sings Cole Porter. What initially presents itself as humorous gradually becomes a struggle to convey Lewitt's statements through this arbitrary means."
    —Helene Winer, "Scenarios/Documents/Images," Art in America 61 (March 1973)

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  • Gary Hill - Elements (1978)

    Elements "In Elements the staccato sound acts on the image and its relief,
    created by a synthesizer. The sequences show the transformations of an
    image similar to rope arranged in parallel lines gripped by Bits.
    Weaving, walls, bark with relief effects are evoked by close ups of
    black and white lines. Gary Hill introduces voice-off into a tape
    for the first time. The words of the text are related to the four
    elements (air, water, earth and fire), but they are only occasionally
    intelligible because a technical process jostles and deforms the
    syllables. "

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    Average: 5 (1 vote)

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