Videos on the net

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  • Peter Rose - Metalogue (1996)

    Metalogue has been described as a cross between a “speech” and a “fireworks display.” Digital editing techniques have been used

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    Average: 3.5 (6 votes)

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  • Marie Menken - Glimpse of the Garden (1957)

    Glimpse of the Garden (1957)Filmed in a garden through a powerful magnifying glass, filmmaker Marie Menken's Glimpse of the Garden is a simple visual poem accompanied by the sound of birdsongs.

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  • Malcolm Le Grice - Again Finnegan (2006)

    Again Finnegan A
    re-make of a short section of Jack Murray shaving from Finnegans Chin
    shot in 1980 - he sings the children's repeating song 'Michael Finnegan'

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  • Malcolm Le Grice - Denisined (2006)

    2006 Portrait of Dennis Oppenheim - Palindrome - Music MIDI version of Crab Cannon by JS Bach

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  • Malcolm Le Grice - Horror Film Documentation (1971)

    Film Performance work from 1971 - documentation from various performances

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  • Malcolm Le Grice - Castle One (1966)

    The most evident feature of this movie is that it is projected along side a bare flashing light bulb which has itself been filmed a

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  • Malcolm Le Grice - Expanded Film at EMAF (2007)

    expanded Performance by Malcolm LeGrice at EMAF Osnabrueck, Germany, April 2007

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  • Lloyd M Williams - The creation (1965)

    The creation (1965)Designed by Lloyd Williams and Phillip Weiner. A return to satirical
    humor. More directed at radio & Television commercials than at
    religion, it manages to point up Man's blind belief in the truth of
    both. Special Commendation, Foothill College Filmmakers' Festival.
    Drawn on film animation & Live images.

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    Average: 3 (3 votes)

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  • Lloyd M Williams - Wipes (1963)

    Wipes (1963)"A jigger of pure visual tonic; a program de-lighter. Bright colors and lively music, it's fast - fast - fast."

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    Average: 4 (1 vote)

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  • Guy Sherwin - Cycles #3 (1972-2003)

    Cycles #3A two-projector film event using images and sounds made directly by hand. The film is a development of Cycles 1 1972/77 in which paper dots are stuck onto the surface of the film and onto its optical sound track.
    On projection these separate instants are converted simultaneously into picture and sound. The gaps between the dots gradually decrease until a fusion of the material occurs: the separate image-moments become a pulsating ball of light, while the rhythmic sound-moments join into a continuous rising drone.
    Cycles 3 uses one b/w print set inside another tinted print. This combination gives rise to induced colours and after-images as well as complex cross-rhythms in the soundtrack.

    9 mins b/w & colour 16mm 2 projectors 2 optical soundtracks
    (made at the LFMC. The pos and neg were printed at the Coop. Cycles uses a Debrie contact printer which is now in nowhere)

    Video documentation filmed at La Sala Rosa, Montreal Canada. Organized by Double Negative.

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