Julie Murray studied Fine Art in Dublin, Ireland and moved to the US in 1985. She has made more than twenty-five films and digital artworks since 1986 which have been exhibited at numerous international events including the New York Film Festival, the Hong Kong International Film Festival, the International Film Festival Rotterdam, The Centre George Pompidou (Paris), and Redcat (Los Angeles). Her work has been featured in two editions of the Whitney Biennial and is in the permanent collection of the Museum of Modern Art.

A programme curated by Alison Nguyen

A screening series of film and video artists who employ modes of appropriation, dematerialization, and electronic signal manipulation in their moving image works. These pieces subvert the visual codes of mass media, repositioning material such as commercials, pornography, and Hollywood films. In burning contemporary archives, these artists create new texts that challenge our way of seeing dominant social constructs.

Joanna Margaret Paul (1955-2003) was a New Zealand artist who pioneered interdisciplinary practice, working prolifically across the mediums of film, poetry and painting. Often shot and edited in camera, her film work chronicled motherhood and domestic life (Task, Napkins), the worn traces of urban settlement (Port Chalmers Cycle) and the persistent presence of the natural world. Other works such as Sisterhood portrayed the life of other female artists identified with the 1970s womens movement in New Zealand.

Laboratorio Reversible & Zumzeig Cinema present: BLITZ Sessions #01: Oriol Sánchez

Experimental filmmaker Oriol Sánchez, also known as HH, presents his latest work in video and a performance in Super 8 and 16 mm. All the films projected in this session deal with the aggression and brutality of the medium itself, exploring the violence of bodies and alluding to the inherent destructiveness of the kinematic machine.