Marking the launch of her long-awaited collected writings Telling Invents Told, (The Visible Press), artist and film-maker Lis Rhodes will be in conversation with MarÍa Palacios Cruz, the book’s editor and Deputy Director of LUX, following a screening of Dissonance and Disturbance and Running Light and readings from the book.
Thursday, September 19, 2019 - 19:00 to Friday, September 20, 2019 - 18:55
A special day of screenings, celebrating the vibrant field of experimental animation.
From bold personal visions to intricate and visually stunning formal experiments, this expansive screening programme mixes contemporary animation by British and international artists with classic and rarely seen historical works. Showcasing animation at the cutting edge of moving image practice, the programme reveals connections and threads running through the many forms of experimental animation.
Saturday, December 10, 2016 - 11:30 to Sunday, December 11, 2016 - 17:55
This seminar – part of the Edge of Frame Weekend – will address the questions of where experimental animation practice sits – at the ‘edges’ – in relation to independent animation, visual arts, histories, institutions. The seminar will do this not through the usual presentation of papers, but by asking artists, curators and academics to offer propositions and provocations, citing up to three works that illustrate their case.
Friday, December 9, 2016 - 14:00 to Saturday, December 10, 2016 - 13:55
This two-day event brings together academics, film-makers and artists for presentations, conversations, and screenings to explore the indefinite and the illegible in experimental film, artists’ film and video, and commercial cinema.
Light, motion, definition, compression: the conditions of recording, storing and screening moving image are subject to constant variations that pull them away from perfect visibility. Film-makers and artists often seek out and work with the resulting visual uncertainty, from the warping of space to the melding of senses; speed to slowness; darkness to glare; and blur to glitch. Indefinite Visions explores the possibility that an important function of moving image is not to show but to obscure, and that – like the photographer in Michelangelo Antonioni’s Blow Up – the closer and deeper we look at an image, the less clear it becomes.
Friday, June 24, 2016 (All day) to Saturday, June 25, 2016 (All day)