As an extension of her exhibition at Matadero's Nave 0, Cineteca hosts AR, FOGO, TERRA, ÁGUA, a carte blanche in which the Brazilian artist Ana Vaz (Brasilia, 1986) puts her own work in dialogue with a personal history of cinema in which claims a poetic-physics of impurity. From Bruce Baillie to Toshio Matsumoto, through the new Latin American cinemas and the North American avant-garde, Vaz invites us on an elementary journey - air, fire, earth, water - for a personal and political, artistic and ethnographic cinema.

As an extension of her exhibition at Matadero's Nave 0, Cineteca hosts AR, FOGO, TERRA, ÁGUA, a carte blanche in which the Brazilian artist Ana Vaz (Brasilia, 1986) puts her own work in dialogue with a personal history of cinema in which claims a poetic-physics of impurity. From Bruce Baillie to Toshio Matsumoto, through the new Latin American cinemas and the North American avant-garde, Vaz invites us on an elementary journey - air, fire, earth, water - for a personal and political, artistic and ethnographic cinema.

LOOK INSIDE THE GHOST MACHINE (Péter Lichter / Hungary / 2012 / 4’)
The first avant-garde filmmakers believed that cinema had the function of a machine, created to manage pure emotions.

NUTRITION FUGUE (Péter Lichter / Hungary / 2018 / 4’)
'Közért' (translation: 'for the public') was a chain of stores run by the government of Hungary during communism (1948-1989). The word 'közért' is still present in Hungarian. Our film was made with ads from these stores, their original 35mm films were decomposed and cut into pieces.