Cineteca Madrid

URL: 

Website

Location: 

Plaza de Legazpi, 8
28045   Madrid, Madrid
Spain
40° 23' 29.6844" N, 3° 41' 47.2884" W
See map: Google Maps

Events in this venue

  • Light traps. Films in 8mm by Pablo Marín

    By on
    4x4 (Pablo Marín, 2012)

    A selection of films by Pablo Marín shot in Super 8 over the last 15 years and in different parts of the planet. Postal films, city newspapers, portraits of things that have already disappeared, studies of nature. Different approaches to the same question: the possibility of biographically organizing the space of life in a film strip.

    Program:

    Dates: 

    Sunday, June 11, 2023 - 20:00

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • Depth of FIeld. Ar, Fogo, Terra, Água: Carte Blance to Ana Vaz

    By on
    Mass for the Dakota Sioux (Bruce Baillie, 1964)

    As an extension of her exhibition at Matadero's Nave 0, Cineteca hosts AR, FOGO, TERRA, ÁGUA, a carte blanche in which the Brazilian artist Ana Vaz (Brasilia, 1986) puts her own work in dialogue with a personal history of cinema in which claims a poetic-physics of impurity. From Bruce Baillie to Toshio Matsumoto, through the new Latin American cinemas and the North American avant-garde, Vaz invites us on an elementary journey - air, fire, earth, water - for a personal and political, artistic and ethnographic cinema.

    Dates: 

    Friday, July 12, 2019 (All day)
    Sunday, July 14, 2019 (All day)
    Wednesday, July 17, 2019 (All day)
    Sunday, July 28, 2019 (All day)

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • In the Inner Space

    By on
    Impresiones en la alta atmósfera (José Antonio Sistiaga, 1989)

    Every man remembers the first words of Neil Armstrong after stepping on the lunar surface, on July 20, 1969. Few remember, instead, those of his partner Buzz Aldrin: "Magnificent view. Magnificent desolation. " What did Aldrin see, where are these images, what was that desolation like? When it is 50 years since the Apollo 11 moon landing, Cineteca revisits the crossed paths of cinema, science and lunar exploration, and goes through the images with which cinema dreamed of the moon and outer space.

    Dates: 

    Thursday, July 11, 2019 (All day)
    Sunday, July 21, 2019 (All day)

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • Depth of FIeld. Ar, Fogo, Terra, Água: Carte Blance to Ana Vaz

    By on
    Mass for the Dakota Sioux (Bruce Baillie, 1964)

    As an extension of her exhibition at Matadero's Nave 0, Cineteca hosts AR, FOGO, TERRA, ÁGUA, a carte blanche in which the Brazilian artist Ana Vaz (Brasilia, 1986) puts her own work in dialogue with a personal history of cinema in which claims a poetic-physics of impurity. From Bruce Baillie to Toshio Matsumoto, through the new Latin American cinemas and the North American avant-garde, Vaz invites us on an elementary journey - air, fire, earth, water - for a personal and political, artistic and ethnographic cinema.

    Dates: 

    Friday, July 12, 2019 (All day)
    Sunday, July 14, 2019 (All day)
    Wednesday, July 17, 2019 (All day)
    Sunday, July 28, 2019 (All day)

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • Depth of FIeld. Ar, Fogo, Terra, Água: Carte Blance to Ana Vaz

    By on
    Mass for the Dakota Sioux (Bruce Baillie, 1964)

    As an extension of her exhibition at Matadero's Nave 0, Cineteca hosts AR, FOGO, TERRA, ÁGUA, a carte blanche in which the Brazilian artist Ana Vaz (Brasilia, 1986) puts her own work in dialogue with a personal history of cinema in which claims a poetic-physics of impurity. From Bruce Baillie to Toshio Matsumoto, through the new Latin American cinemas and the North American avant-garde, Vaz invites us on an elementary journey - air, fire, earth, water - for a personal and political, artistic and ethnographic cinema.

    Dates: 

    Friday, July 12, 2019 (All day)
    Sunday, July 14, 2019 (All day)
    Wednesday, July 17, 2019 (All day)
    Sunday, July 28, 2019 (All day)

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • Depth of FIeld. Ar, Fogo, Terra, Água: Carte Blance to Ana Vaz

    By on
    Mass for the Dakota Sioux (Bruce Baillie, 1964)

    As an extension of her exhibition at Matadero's Nave 0, Cineteca hosts AR, FOGO, TERRA, ÁGUA, a carte blanche in which the Brazilian artist Ana Vaz (Brasilia, 1986) puts her own work in dialogue with a personal history of cinema in which claims a poetic-physics of impurity. From Bruce Baillie to Toshio Matsumoto, through the new Latin American cinemas and the North American avant-garde, Vaz invites us on an elementary journey - air, fire, earth, water - for a personal and political, artistic and ethnographic cinema.

    Dates: 

    Friday, July 12, 2019 (All day)
    Sunday, July 14, 2019 (All day)
    Wednesday, July 17, 2019 (All day)
    Sunday, July 28, 2019 (All day)

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • In the Inner Space

    By on
    Impresiones en la alta atmósfera (José Antonio Sistiaga, 1989)

    Every man remembers the first words of Neil Armstrong after stepping on the lunar surface, on July 20, 1969. Few remember, instead, those of his partner Buzz Aldrin: "Magnificent view. Magnificent desolation. " What did Aldrin see, where are these images, what was that desolation like? When it is 50 years since the Apollo 11 moon landing, Cineteca revisits the crossed paths of cinema, science and lunar exploration, and goes through the images with which cinema dreamed of the moon and outer space.

    Dates: 

    Thursday, July 11, 2019 (All day)
    Sunday, July 21, 2019 (All day)

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • Analog Memories - The Hungarian Experimental Cinema

    By on
    Look Inside The Ghost Machine (Péter Lichter, 2012)

    LOOK INSIDE THE GHOST MACHINE (Péter Lichter / Hungary / 2012 / 4’)
    The first avant-garde filmmakers believed that cinema had the function of a machine, created to manage pure emotions.

    NUTRITION FUGUE (Péter Lichter / Hungary / 2018 / 4’)
    'Közért' (translation: 'for the public') was a chain of stores run by the government of Hungary during communism (1948-1989). The word 'közért' is still present in Hungarian. Our film was made with ads from these stores, their original 35mm films were decomposed and cut into pieces.

    Dates: 

    Thursday, May 23, 2019 - 18:00 to Friday, May 24, 2019 - 17:55

    Venue: 

    Cineteca Madrid - Madrid, Spain

  • The Electric Gaze. International Seminar on the Intersections between Image, Technology, and Critical Thought.

    By on
    No puedo ver el sexto sol (Luís Macías, 2018)

    How does technology reproduce the mechanisms of vision? What questions arise from the intersections between capitalism, art, cinema, the mind, and neuroscience? What are the political, social, and philosophical consequences of the technological expansion and recreation of the visible? Who decides how we see and what we see? This following February at Cineteca Madrid we will explore the visual imaginaries produced by the technologies of cinema, art, performance, critical thinking, and virtual reality that amplify our ways of seeing and being in the world.

    Dates: 

    Friday, February 1, 2019 (All day) to Saturday, February 2, 2019 (All day)

    Venue: 

    Cineteca Madrid - Madrid, Spain

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