Though eclipsed by filmmakers like Andy Warhol, Jack Smith and Kenneth Anger, José Rodríguez Soltero is one of the leading exponents of the queer Latino acid-head division of New York’s film underground in the mid-sixties.

Anne Rees-Mogg (1924-1984) was a dedicated teacher and an active defender of 16mm film. Her films deal with time, memory, personal relations and the discovery of cinematography. This session presents a series of works that sketch out a short personal journey through the history of the cinema: from the pre-cinematographic devices of the magic lantern to a poetic tutorial about how to make experimental films, via the photography and the time and movement studies of Muybridge.