The filmed letter can take the form of dedication, song, offering, celebration, postcard. “Correspondences: Films as Letters”, Punto de Vista’s cycle for 2018, takes as its starting point the idea that, in cinema, an exchange of letters does not have to be sent, and even admits the possibility of making a film letter without a recipient in mind.

Thursday February 15th, 19:30h
Masterclass with Helga Fanderl

German filmmaker Helga Fanderl films her films in Super8, camera in hand, with no postproduction. She also carefully constructs her own programmes of screenings for each occasion and presents them in person. In this performative talk, she will explain in detail her filmic practice and illustrate it with a series of pieces that she will screen herself in Super8.

Sunday February 18th, 19:30h
Helga Fanderl. Films 2000-2016

English composer Anthony Moore is one of the foremost references of musical experimentation beginning in the seventies. His instrumental versatility situates him between the contexts of the most minimalist avant-garde and the most progressive popular music. In the film world he stands out for his ongoing collaboration on soundtracks for experimental films.

Michele Fleming’s films bring together most of the artistic disciplines with which she worked and combine the rhythmic observation of the world around her with references to other films and, most of all, a multitude of books; they feature work with the text on screen, portrayals of bodies and the alternating superimposition of colour and black and white.