TIE Boston October 11,13

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TIE at ICA / Boston
October 11, 2008 - 6:00PM

The Institute
of Contemporary Art/Boston (ICA) presents TIE, The International Experimental
Cinema Exposition – a one-day screening of experimental films
from Boston and around the world – on Saturday, Oct. 11 at 6 p.m.
The program is followed by a Q & A with the filmmakers and TIE Founder/Director
Christopher May. Tickets are $10 general admission; $8 members, students,
and seniors. For more information or to purchase tickets, call (617)
478-3103 or visit
www.icaboston.org.  

The first half of this two-part screening
is called “To Trudge: A TIE Retrospective,” and features an eclectic
range of U.S. and international experimental films that illuminate the
continuing vitality and beauty of celluloid. The second half of the
screening, “To Raise: New Films from TIE by Boston Filmmakers,”
focuses on new work by Boston’s best avant-garde filmmakers

The program for “To Raise: New Films
from TIE by Boston Filmmakers” features an enlightening new selection of work
by top Boston avant-garde filmmakers. Most are being shown for
the first time, The artists will be present. Boston
filmmakers include Robert Tood, Luther Price, Jonathan Schwartz and
Rebecca Meyers. 

Check-out the short preview by MARTÍN CABALLERO From The Dig. 


 

TIE at Emerson College / Boston
October 16th - 7:00PM

The
art of the past no longer exists as it once did. Its authority is lost.
In its place is a language of images. What matters now is who uses that
language for what purpose. The first of a two part evening at Emerson
College is a rare program of contemporary Super-8 work from TIE
exhibitions. My Mess
from Colorado-based filmmaker, Jesse Kennedy and work from Cine Parkour
are included in this program.The second program is a collection of 16mm
films from the U.S. and Austria.TIE curator, Christopher May will be
present to introduce the programs.  

About Jesse Kennedy:
"If a writer could teach us how to read in a film, and a camera could
be used to shoot in the most visceral sense, then Kennedy with his
Super-8 camera and diverse medley of intellectual interests is
ferociously, sensually, and innovatively redefining how we portray and
experience the emotive blows of a story."
- Rachel Cole
, Director / Dikeou Collection 

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