Tags: Yervant Gianikian

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Envisioning the World: How Cinema Shapes the Earth

By Marcos Ortega on Tue, 04/06/2019 - 09:54

To see and think the world as a totality has never been more crucial thanks to the present global environmental crisis. This three-part programme will bring together historical and contemporary films about ‘the world’ with the aim of exploring the divergences and continuities between audiovisual representations of the Earth past and present. From narratives of colonialism and internationalism through to end-of-the-world mythologies and the Anthropocene discourse, these films show that the history of cinema is inseparable from a quest to imagine the world as a totality.
Dates:
Saturday, June 8, 2019 - 13:00 to 18:00
Saturday, June 15, 2019 - 13:00 to 18:00
Saturday, June 22, 2019 - 13:00 to 18:00
Venue:
Close-Up Cinema - London, Reino Unido
Immigration and Displacement

By Anonymous on Tue, 11/04/2017 - 06:15

On Film is excited to present the Spring 2017 program “Immigration and displacement,” featuring the works of Emily Hong, Miasarah Lai and Mariangela Mihai as well as Yervant Gianikian and Angela Ricci-Lucchi.

Utilizing salvaged archival footage and first-person testimony, these works reorient movement and proximity in transforming their visual and aural documents to access the living memories of historical experience. By resurrecting immigration stories from the distant and recent past of humanity and freedom of movement under threat, the urgent cinematic works in this program redefine our understandings of displacement in times of ongoing crisis.

Dates:
Monday, April 17, 2017 - 19:00
Venue:
Hubbell Auditorium - Rochester, Estados Unidos
Found Footage Magazine issue #3

By Marcos Ortega on Thu, 02/03/2017 - 04:35
Special On Angela Ricci Lucchi & Yervant Gianikian:
- Yervant Gianikian and Angela Ricci Lucchi: Archive, Technology and Body, by Paula Arantzazu Ruiz

The work of Yervant Gianikian and Angela Ricci Lucchi is a cinema of catalogue, a cinema that displays previously archived images and shapes an enormous inventory of 20th history century. It has been more than forty years since these Italian filmmakers (Gianikian is of Armenian origin) have been recovering, re-filming and re-editing archived films by means of the analytical camera—a re-visualizing tool made ex profeso to manipulate film footage from different sources, either by cutting original frames, reversing images and revealing their negative, modifying speed or manipulating the montage.
Category:
Releases
Lo sguardo espanso. Cinema d'artista italiano 1912-2012

Di Marino B, Meneguzzo M, La Porta A, Annunziata G, Censi R, Costa A, Fragapane GDaniele, Licciardello A, Lischi S, Palmerino D et al.. 2012. Lo sguardo espanso. Cinema d'artista italiano 1912-2012. :312pp.