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Film Talks: 15 Conversations on Experimental Cinema
Film Talks is an edited collection of unique conversations on experimental cinema from a range of eminent and emerging film and video makers. The book represents a contemporary snapshot on the ways in which experimental cinema is perceived by its practitioners, often in relation to other art forms, moving image culture at large and wider social issues. It is an invaluable guide for those keen to immerse themselves in the insights and perspectives that only artists can offer.

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Go go go! Women in Experimental Animation: The Crafty Animator

By Marcos Ortega on Tue, 25/06/2019 - 09:25

On July 11th Bristol Cube will screen the final in the BEEF organised Go go go: Women in Experimental Animation series. There's a line up of great films, plus guest speaker Caroline Ruddell, co editor of 'The Crafty Animator: Handmade Craft-based Animation and Cultural Value', will introduce the screening!

The films within this programme deploy modes of humour, irony, absurdity, the grotesque, mystery, beauty and defiance where qualities of shape, colour, texture, light, materiality and movement and questions of process itself are given priority.
Dates:
Thursday, July 11, 2019 - 20:00 to Friday, July 12, 2019 - 19:55
Venue:
The Cube Cinema - Bristol, United Kingdom
Experimental and Expanded Animation. New Perspectives and Practices
This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live ‘making’ and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices.
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Palgrave Macmillan
Physicality and the Moving Image

By Roderick Maclachlan on Wed, 27/09/2017 - 14:50

Saturated colour, sensor mutilation and seminal film flicker take over two floors of The Brunswick Club. Avant-garde film pioneer Malcolm Le Grice introduces a selection of his films including Little Dog for Roger (1967) and the dual 16mm version of Berlin Horse (1970). Peter Tscherkassky’s sensual and spectral The Exquisite Corpus (2015) completes the screenings.
Dates:
Friday, October 27, 2017 - 20:00 to Saturday, October 28, 2017 - 19:55
Venue:
Bristol Experimental & Expanded Film (BEEF) - Bristol, Reino Unido
Edge of Frame: Signal to Noise

By Marcos Ortega on Sat, 25/03/2017 - 10:02

Edge of Frame started life as a blog on experimental animation written by artist and curator Edwin Rostron, and last year grew into a boundary-hopping weekender at the Whitechapel Gallery and Close-Up Cinema. We asked Rostron to put together a special Optical Sound-inspired programme of shorts, and he’s delivered the goods with a selection of extraordinary experiments exploring sound and music in various interesting ways.
Dates:
Friday, April 7, 2017 - 18:00 to Saturday, April 8, 2017 - 17:55
Venue:
Birmingham Midland Institute - Birmingham, Reino Unido
Edges: an Animation Seminar

By Anonymous on Tue, 22/11/2016 - 14:15

This seminar – part of the Edge of Frame Weekend – will address the questions of where experimental animation practice sits – at the ‘edges’ – in relation to independent animation, visual arts, histories, institutions. The seminar will do this not through the usual presentation of papers, but by asking artists, curators and academics to offer propositions and provocations, citing up to three works that illustrate their case.

Dates:
Friday, December 9, 2016 - 14:00 to Saturday, December 10, 2016 - 13:55
Venue:
Whitechapel Gallery - London, United Kingdom
Edge of Frame: Elemental Animation

By Anonymous on Tue, 22/11/2016 - 14:11

A programme of works which use the material of film itself as a canvas. These visceral, vibrant films feature camera-less techniques such as scratching, painting and printing onto the filmstrip, subjecting film to decay and decomposition, and affixing materials such as letraset or insects to its surface. The remarkable visions created through these diverse approaches fill the frame with dynamic textures and colour, and many will be presented on 16mm and 35mm prints. Seen in the cinema, these works achieve a powerful effect, immersing us in strange and previously unseen worlds, and displaying the breadth and scope of abstract film.

Dates:
Friday, December 2, 2016 - 20:00 to Saturday, December 3, 2016 - 19:55
Venue:
Close-Up Cinema - London, Reino Unido
From Reel to Real: Women, Feminism and the London Film-makers’ Co-operative

By Marcos Ortega on Sun, 21/08/2016 - 06:11

As part of the 50th anniversary celebrations of the London Film-makers’ Co-operative (LFMC), this film programme, which opens Tate Modern’s Counter-Histories series, explores the unique contribution of the women filmmakers associated with the LFMC to both experimental and feminist film.
Dates:
Friday, September 23, 2016 (All day) to Sunday, September 25, 2016 (All day)
Venue:
Tate Modern - London , United Kingdom
Experimental Film and Video: An Anthology

Poole S, Evans G, Littman S, Weinbren G, Gidal P, Welsby C, Hamlyn N, Parker J, Gawthrop R, McCall A et al.. 2006. Experimental Film and Video: An Anthology. :302pp.
Contents

Foreword by Sean Cubitt
Foreword by A.L. Rees
Introduction, by Jackie Hatfield

SECTION I Philosophies and Critical Histories of Avant-Garde Film and Current Practice
Edge of Frame Programme Three: with special guest Vicky Smith

By Anonymous on Sun, 26/06/2016 - 17:26

Edge of Frame presents a programme of films exploring connections between the body, nature and the material of film, featuring works on 16mm by special guest Vicky Smith + Q&A.

The programme will also feature works by Ben Balcom, Vanda Carter, Ruth Lingford and others.

Dates:
Tuesday, July 26, 2016 - 20:00 to Wednesday, July 27, 2016 - 19:55
Venue:
DIY Space for London - London, Reino Unido

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