Tags: Su Friedrich

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Radicales libres - Su Friedrich: (New) Rules on the Road

By Marcos Ortega on Fri, 02/02/2018 - 04:56

Programme:
- First Comes Love (Su Fiedrich, 1991, 16mm, 22min)
- Sink or Swim (Su Fiedrich, 1990, 16mm, 48min)

Introduced by Elena Oroz, Ph.D., Professor at the Universidad Carlos III de Madrid.

Dates:
Saturday, February 3, 2018 - 20:00 to Sunday, February 4, 2018 - 19:55
Venue:
Filmoteca Española - Cine Doré - Madrid, España
Early Monthly Segments #95: Su Friedrich

By Marcos Ortega on Thu, 06/04/2017 - 17:37

In collaboration with our colleagues in the screening collective Vertical Features, Early Monthly Segments is pleased to present two films by Su Friedrich. The Ties That Binds centres on Friedrich’s mother, Lore Bucher, who was born in Ulm, Germany in 1920. With Friedrich’s insistence, Bucher recollects her youth, growing up in Germany during the rise of the Third Reich and speaks about her own attempts to resist in whatever form she could.
Dates:
Tuesday, April 11, 2017 - 20:00 to Wednesday, April 12, 2017 - 19:55
Venue:
Gladstone Hotel - Toronto, Canada
Epical Poems: Friedrich/Carasco

By Marcos Ortega on Thu, 01/12/2016 - 09:02

From Experimental to Essay Films #1

Sink or Swim is a sophisticated poetic ode addressed by Su Friedrich to his father, a linguist who left his family when the filmmaker was a child. Raymonde Carasco formally revisits the myth of Gradiva, causing the pathological symptoms to migrate (in response to Freud's study of the text of the writer Jensen) towards plastic variations in which thought becomes form. Two dissymmetrical approaches of the "essayist cinema" under the sign of the questioning of the fathers (direct for Su Friedrich, linked to the archetypes in Raymonde Carasco).

Dates:
Thursday, December 8, 2016 - 20:00 to Friday, December 9, 2016 - 19:55
Venue:
Cinéma La Clef - Paris, France
Rencontres du Cinéma Documentaire 2016

By Marcos Ortega on Tue, 04/10/2016 - 09:23

Since 1995, the Périphérie association organizes the Rencontres du cinéma documentaire (Meetings of Documentary Cinema), and since 2005 presents each October a one-week long non-competitive festival at the cinema Le Méliès of Montreuil. Open to diverse audiences, the festival brings together heritage films and recent works around a cinematic theme.
Dates:
Thursday, October 6, 2016 (All day) to Saturday, October 8, 2016 (All day)
Experimental Cinema: The Film Reader

Horak J-C, Mekas J, Rabinovitz L, Varda A, Suárez JAntonio, Ganguly S, Tartaglia J, Haug K, Wolf R, Chin D et al.. 2002. Experimental Cinema: The Film Reader. :356pp.
Contents:

Introduction: Toward a new history of the experimental cinema

Part one. Origins of the American avant-garde cinema, 1920-1959.
- The first American film avant-garde, 1919-1945 / Jan-Christopher Horak
- Notes on the new American cinema / Jonas Mekas
- The woman filmmaker in the New York avant-garde / Lauren Rabinovitz
- Women in the avant-garde: Germaine Dulac, Maya Deren, Agnès Varda, Chantal Akerman, and Trinh T. Minh-ha / Agnès Varda
A Critical Cinema 2: Interviews with Independent Filmmakers
"This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins."

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Category:
Books
Publisher:
University of California Press
Eyes Upside Down:Visionary Filmmakers & the Heritage of Emersson
Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussSitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War.
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Category:
Books
Publisher:
Oxford University Press
Su Friedrich - re:working

By Marcos Ortega on Wed, 11/05/2011 - 03:04
Su Friedrich - re:working
May 14 – June 6, 2011
filmstrip prints | digital collage | work notebooks | photographs | embroidery | films
Opening Reception Saturday, May 14, 6-9PM

MICROSCOPE Gallery is honored to present the gallery debut of independent filmmaker Su Friedrich. With works spanning 37 years, re:working offers a first look at the hidden influences and art of Friedrich’s filmmaking.

Friedrich began as a photographer, and the early black and whites photos in the show reveal a developed eye already exploring the issues of sexual identity, Catholicism, the tensions between documentary & fiction and other themes she continues to deal with today. Her detailed private work journals and drawings, which she has meticulously kept for each of her films, expose not only the process behind each, but Friedrich as a poet and an artist. And with her new filmstrip prints and digital collage works Friedrich revisits her photographic roots.
Category:
Events