Tags: Simon Payne

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  • BLITZ & Cineinfinito present: Simon Payne

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    Simon Payne studied at the Kent Institute of Art and Design, Maidstone; Duncan of Jordanstone College of Art and Design, Dundee; and the Royal College of Art, London. As a student, he quickly identified with formal approaches and traditions in experimental film. But he eschewed filmmaking, preferring the immediacy of video, especially when it became a digital medium that facilitated a readily systematic means of dealing with time.

    Dates: 

    Tuesday, June 4, 2019 - 19:00
    Thursday, June 6, 2019 - 19:00

    Venue: 

    Zumzeig Cinema - Barcelona, España

  • Analogue Ensemble: Divisions of the Screen

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    Cut Out by Simon Payne

    Nicky Hamlyn and Simon Payne present a programme of single-screen and expanded films and videos that explore colour field abstraction, grids, lines, shadows, holes and frames-within-frames that are often underpinned by repetitive, almost musical structuring. Payne's digital video works involve elementary transitions and alternating graphic forms that create spatial depths within the screen but also bounce back to affect the environment in which they're shown.

    Dates: 

    Thursday, May 24, 2018 - 19:30 to 21:30

    Venue: 

    Studio 3 Gallery, Jarman Building, School of Arts, University of Kent - Canterbury, Reino Unido

  • Contact: Pairs - Jennifer Nightingale and Simon Payne

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    Contact: Pairs: Jennifer Nightingale and Simon Payne

    Jennifer Nightingale’s films broadly fall into two categories of ‘pinhole films’ and ‘knitting films’. The pinhole films that she has selected to show here include a new two-screen configuration of West Window, East Window. Other films include pieces from her Cornish Knitting Pattern series, which document the coastal locations where the knitting patterns derive from. The patterns themselves dictate editing decisions.

    Dates: 

    Monday, June 19, 2017 - 19:30

    Venue: 

    The Depot - London, United Kingdom

  • VIDEO – (Im)materialists

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    Steve hates fish (John Smith, 2016)

    Presented by Evelyn Yard, VIDEO is a screening event highlighting the specific use of video by contemporary artists. The programme focuses less on the polished "moving-image" production, and more on experimentation and the use of more accessible popular video technologies. The screenings will highlight areas where video has been used for its specific characteristics, opening up the rising debate of medium specificity in and around ideas of post-media hybridisation.

    Dates: 

    Friday, October 7, 2016 - 20:30

    Venue: 

    Close-Up Cinema - London, United Kingdom

  • Kurt Kren: Structural Films - Screening and Book Launch

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    Kurt Kren was a vital figure in Austrian avant-garde cinema of the post-war period. His structural films, often shot frame-by-frame following elaborately pre-scored charts and diagrams, have influenced filmmakers for decades, even as Kren himself has remained a nomadic and obscure public figure. Kurt Kren: Structural Films, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic out-of-print essays alongside the reflections of contemporary academics and filmmakers, to add much-needed critical discussion of Kren’s legacy. Taken together, the collection challenges the canonical view of Kren that ignores his underground lineage and powerful, lyrical imagery.

    Dates: 

    Monday, May 30, 2016 - 19:00

    Venue: 

    Close-Up Cinema - London, United Kingdom

  • Kurt Kren: Structural Films

    Kurt Kren was a vital figure in Austrian avant-garde cinema of the post-war period. His structural films, often shot frame-by-frame following elaborately pre-scored charts and diagrams, have influenced filmmakers for decades, even as Kren himself has remained a nomadic and obscure public figure. Kurt Kren, edited by Nicky Hamlyn, Simon Payne, and A. L. Rees, brings together interviews with Kren, film scores, and classic, out-of-print essays, alongside the reflections of contemporary academics and filmmakers, to add much-needed critical discussion of Kren’s legacy.

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    Average: 3.9 (10 votes)

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  • Negative Light: Recent Experimental Film and Video from the UK

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    Dark Garden (Nick Collins, 2011)

    Microscope is very pleased to welcome London-based artist and curator Simon Payne to the gallery for the first time with a program of moving image works from the United Kingdom by Maria Anastassiou, Nick Collins, Nicky Hamlyn, Neil Henderson, Jamie Jenkinson, Jennifer Nightingale, Simon Payne, Karolina Raczynski, and Guy Sherwin, most of which are screening in New

    Dates: 

    Monday, October 26, 2015 - 19:30

    Venue: 

    Microscope Gallery - Brooklyn, United States

  • The Bleeping Light: Explorative Sensoriums In Experimental Film & Video

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    Oxide (II) (Ben Gwilliam, 2014)

    The Bleeping Light features artists who delve into cracked phenomena and psychological perceptions, synaesthetic slippage and hacked technologies to produce works which inhabit a space between waveform and frame. Included are audiovisual works by sound artists who explore the role of a ‘seeing ear’, and sonic explorations by filmmakers who by the act of performance and intervention derive a sonorous space. Appropriated for single channel presentation many of these works exist in an environment which challenges the flat confines of the screen, and have their origins and inspirations in sound art and performance – this is cinema which speaks directly to the viewer’s synapses. Curated for Off The Page by Sally Golding (OtherFilm, Unconscious Archives).

    Feature works by an array of contemporary film, video and sound artists, including Karel Doing, Spatial, Simon Payne, Sculpture, Lynn Loo, Sally Golding, Makino Takashi, Vicky Smith, Ben Gwilliam, Stephen Cornford, Botborg, Anja Dornieden & Juan Gonzales, Hangjun Lee & Chulki Hong, and Joel Stern & Pia Borg.

    Dates: 

    Saturday, September 27, 2014 (All day)
    Sunday, September 28, 2014 (All day)

    Venue: 

    Arnolfini - Bristol, United Kingdom

  • Simon Payne - Colour Field Videos

    The four digital video works on this disk involve an intense and dynamic exploration of colour mixing, phasing tone rows, and illusions of movement. Colour Bars (2004) refers to the ordinarily static television test signal image, which has provided the co

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  • STIRRINGS STILL

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    Stirrings stillSTIRRINGS STILL
    a selection of videos curated by Andrea Monti
    on display from August 19th through September 7th
    White Box Gallery
    329 Broome Street, 10002, New York, USA
    organized in collaboration with LUX and Lucca Film Festival 2010
    opening reception on Aug 19th 7-9 pm

    Presenting videos made by American and European artists, this program relates to Samuel Beckett's last work Stirrings Still at many levels: aesthetically, structurally, emotionally and metaphorically.

    The terms stirring and still, which generally refer to movement and stillness, are combined together, a characteristic inherent in all moving-image art works.
    Many of the selected videos center around structure and aesthetics, showing the interaction between moving and still elements, and exploring their reciprocal limits.
    Other works involve the repetitions and obsessive self-reflection present in Beckett's writing. While others deal with at some level the sentiment of 'the end', the passing of time and our fate of being alone with our own existence.

    The works will be displayed as a 70 minute looped program as part of the exhibition Project Birch Forest - Part 2, opening on August 19th through September 7th. (Andrea Monti)

    programme:
    - Adrift by Elle Burchill
    - Nightshot 1 by Stephen Dwoskin
    - Crystal Ghosts by Kelly Fancher
    - Wolves by Tim Geraghty
    - First Corruption by Raymond Salvatore Harmon
    - Sentiment by Max Le Cain
    - Parthenogenesis by Yasue Maetake
    - Television by Yoel Meranda
    - Private Eye/I by Rick Niebe
    - New Ratio by Simon Payne
    - 21.04.02 by Jean-Gabriel Periot
    - Susquehannaicefloewobl (Incense and Tea) by Jeremy Slater

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