CROSSROADS 2020 is the eleventh manifestation of Cinematheque's annual film festival, presented this year online and free to the public. CROSSROADS 2020 consists of 9 programs featuring 84 works of film and video by 71 artists representing 22 countries and territories.
Dates:
Friday, August 21, 2020 (All day) to Wednesday, September 30, 2020 (All day)
Screening at Telematic, this coming Thursday, September 19th Co-presented by San Francisco Cinematheque
Telematic is pleased to present Love, Cruelty, and Self-Destruction, a screening of video/performance works by Monet Clark, Cliff Hengst, Dale Hoyt, The Patchchords (w/ Fred Rinne), and Beth Stephens & Annie Sprinkle, presented – in collaboration with San Francisco Cinematheque – as part of our current, on-going exhibition Farm and Friends – in 3D!
Phil Solomon (January 3, 1954—April 20, 2019) was among the great avant-garde filmmakers of this era. Solomon’s more than twenty films and digital pieces create an interior universe that has rarely, if ever, been surpassed in any medium for its intimacy, evocation of personal sensibility, expressive dream-like sounds and images, and for its sublime—and terrifying—sense of ambiguity between the recognizable world and its dissolution.
San Francisco Cinematheque and Canyon Cinema present a special memorial screening in honor of the recently departed pioneering lesbian feminist filmmaker Barbara Hammer (1939–2019).
Perpetual Motion is the most comprehensive convergence of international performance cinema practitioners ever seen in the Bay Area. Presented over seven evenings September 16–December 7, 2016, with all artists performing in person, this series is curated by San Francisco Cinematheque and will be presented at Gray Area’s historic Grand Theater, located in San Francisco’s Mission District.
Featured artists include the return of legendary experimental filmmaker Ken Jacobs (NYC), rising Montréal duo Le Révélateur (video artist Sabrina Ratté & musician Roger Tellier-Craig, of Fly Pan AM and formerly Godspeed You! Black Emperor) and in a rare North American appearance, the spectacular Trinchera Ensamble film-performance collective from Mexico City.
