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Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

By Marcos Ortega on Mon, 11/03/2019 - 07:27

The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture. In contrast to similar co-operative endeavours, the LFMC's activity was not limited to distribution – within a few years it was also running a regular program in its own cinema and, most notably, it democratized the means of production by establishing a film workshop that enabled filmmakers to control every stage of the creative process.
Dates:
Thursday, March 14, 2019 (All day) to Sunday, March 17, 2019 (All day)
Venue:
Austrian Film Museum - Vienna, Austria
From Reel to Real: Women, Feminism and the London Film-makers’ Co-operative

By Marcos Ortega on Sun, 21/08/2016 - 06:11

As part of the 50th anniversary celebrations of the London Film-makers’ Co-operative (LFMC), this film programme, which opens Tate Modern’s Counter-Histories series, explores the unique contribution of the women filmmakers associated with the LFMC to both experimental and feminist film.
Dates:
Friday, September 23, 2016 (All day) to Sunday, September 25, 2016 (All day)
Venue:
Tate Modern - London , United Kingdom
A Critical Cinema 3: Interviews with Independent Filmmakers
A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness."A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking.

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Category:
Books
Publisher:
University of California Press
Indiscretions - Avant-Garde Film, Video, and Feminism
Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. Patricia Mellencamp traces and charts the intersections of Lacanian psychoanalysis and the desiring male subject, Roland Barthes and texts of pleasure, Michel Foucault and the disciplinary society, the grotesque body and Mikhail Bakhtin, the rhizomatic alogic of Gilles Deleuze and Felix Guattari, and the female subject of feminist film theory.
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Category:
Books
Publisher:
Indiana University Press