Tags: Robert Russett

Robert Russett

Robert J. Russett (May 22 1935 - March 26 2015) was a media artist, educator and writer whose animated films and installations were exhibited internationally. He was awarded the University of Lafayette's Distinguished Professor Award in 1973 for his outstanding work as a professor. An authority on animation, Russett co-authored, with Cecile Starr, the 1988 book "Experimental Animation: Origins of New Art," which is considered to be a "must-have" title in the field.

Nationality: 

United States

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  • Independent Frames: Shape and Structure

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    Object Conversation (Paul Glabicki, 1985)

    While structural film was the dominant form within the avant-garde tradition at the dawn of the 1970s, animators used shape and structure in a variety of ways that differentiated their works. Robert Russett composed geometric patterns and colour sequences in complex rhythms to create his pulsing, abstract films. Paul Glabicki created incisive, analytical works that explored objects through image, language, form and movement, drafting stunningly complicated sequences by hand.

    Dates: 

    Saturday, February 18, 2017 - 14:30 to 16:30

    Venue: 

    Tate Modern - London , United Kingdom

  • Primary Stimulus: A Robert Russett Memorial Retrospective

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    To celebrate the life and work of the singular artist and animation historian Robert Russett (1935-2015), guest curator Mark Toscano has assembled this nearly complete retrospective of Russett’s 16mm films.  This program will span his early, radical Pop hybrids of Sharits and Conner, through his fascinating and rigorous abstract perceptual explorations, to the haunting and ominous impressionistic rephotography works in which Russett explored his adopted homeland of Acadian Louisiana.

    Curator in attendance!

    Dates: 

    Saturday, July 16, 2016 - 20:00 to Sunday, July 17, 2016 - 19:55

    Venue: 

    Echo Park Film Center - Los Angeles, United States

  • Experimental Animation: Origins of a New Art

    From the early abstract animation films created at the start of this century to the latest in technologically oriented films, here is a comprehensive anthology of cinematic animation. It brings together over 50 interviews and first-person accounts that describe the work of 38 innovative artist-filmmakers. Such pioneers as Alexander Alexeieff and Claire Parker, Hans Richter, Vicking Eggerling, and Oskkar Fishinger are alongside the recent avant-garde of Robert Breer, Harry Smith, Stan VanDer Beek, Peter Foldes, and Ed Emschweiller.

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