Tags: Peter Kubelka

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Close-Up: Larry Gottheim and Friends

By Marcos Ortega on Tue, 12/03/2019 - 03:57

In 1967, Larry Gottheim started the Cinema Department at Binghamton University which was the first regular undergraduate program that dealt with cinema as a personal art. Considering the theme of nature in art and functions of racial, cultural and personal identity, Gottheim’s practice explores the ways in which time, movement, and becoming are bound up in a complex relation between formal cinematic patterns and pro-filmic subjects.
Dates:
Thursday, March 14, 2019 (All day) to Saturday, March 16, 2019 (All day)
Venue:
Close-Up Cinema - London, United Kingdom
Upcoming books from The Visible Press

By Marcos Ortega on Wed, 16/05/2018 - 15:12
UK publisher The Visible Press has made public a list of their forthcoming publications. Four new books presenting the writings of renowned filmmakers Lis Rhodes, Ken Jacobs and Peter Kubelka, as well as an anthology of articles from the British journal Afterimage.
Category:
Releases
Xcèntric Cinema: Conversations on the creative process and the filmic vision
Xcèntric Cinema. Conversations on the creative process and the filmic vision, edited by Gonzalo de Lucas, takes us into the workshop of the filmmaker, that personal space in which film creators think about their working methods and aesthetic ideas. A constellation of images, experiences, notes and inspirational ideas from some great filmmakers that serve as a notebook of creative projects and which help to expand our imaginative field.
Rating:

Average: 3.6 (8 votes)
Category:
Books
Publisher:
CCCB
Centre Pompidou: Homage to Peter Kubelka

By Marcos Ortega on Tue, 11/04/2017 - 12:40

Peter Kubelka is a historical figure of independent cinema. He has been invited in April 2017 by the Centre Pompidou for a cycle of conferences on his cinema and the premiere French presentation of his latest film "Monument Film".
Dates:
Wednesday, April 12, 2017 (All day) to Sunday, April 16, 2017 (All day)
Venue:
Centre Pompidou - Paris, France
At Peter’s. Vienna, June 20th, 2016 (7:04 pm – 10:46 pm)
This book is a document. It’s an account via images of the evening of June 20, 2016, spent in Vienna in the company of the artist, Peter Kubelka. With his wife Luise, Kubelka had invited some friends: the photographer Heinz Cibulka and the filmmaker Jonas Mekas who had come with his son, Sebastian, specifically to film the party.
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Category:
Books
Publisher:
Paris Expérimental
The Avant-garde Film: A Reader of Theory and Criticism

Sitney P.A, Eisenstein S, Richter H, Epstein J, Dulac G, Artaud A, Cornell J, Deren M, Peterson S, Broughton J et al.. 1978. The Avant-garde Film: A Reader of Theory and Criticism. Anthology film archives. :295pp.
Contents:
Structural Film Anthology

Gidal P, Le Grice M, Snow M, Frampton H, Dunford M, Sharits P, Mekas J, Hein B, Eatherley G, Landow G et al.. 1976. Structural Film Anthology. :144pp.
Cinémas de Traverse
This documentary diary was shot between 2005 and 2009 on four different continents, as a subjective journey into the universe of experimental cinema. It is an exploration of the many alternative film forms developed by innovative figures such as Jonas Mekas (USA), Peter Kubelka (Austria), Guy Sherwin (UK) among many others. These paths of discovery lead us to encounters with numerous production and distribution institutions created specifically for experimental films.

Rating:

Average: 3.3 (3 votes)
Category:
DVD
Publisher:
Re:voir
Feux d'artifices: 30 years of Paris Expérimental

By Marcos Ortega on Mon, 23/11/2015 - 03:59

Since 1985, publisher Paris Expérimental has become a singular meeting point between experimental cinema and its history. With around fifty landmark publications and events, this publishing house has contributed in France to the knowledge and recognition of experimental film forms that have often been marginalised.
Dates:
Wednesday, November 25, 2015 - 14:00 to 21:00
Venue:
Centre Pompidou - Paris, France
Binghamton Babylon: Voices from the Cinema Department, 1967-1977
In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century.
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Category:
Books
Publisher:
SUNY press

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