Tags: Pat O'Neill

Pat O'Neill

Pat O'Neill (b. 1939 in Los Angeles, California) is an experimental film-maker who has worked as well in commercial cinema. His expertise include the area of Direction, Cinematography, Production, Editing, Visual Effects, Special Effects and the Animation Department.

Nationality:

United States

Tagged content

Collective Vision: the Los Angeles Independent Film Oasis

By Tanya Zimbardo on Tue, 04/06/2019 - 02:36

Filmmakers Amy Halpern and Pat O’Neill in person. Free with RSVP.
Dates:
Saturday, June 22, 2019 - 14:00 to Sunday, June 23, 2019 - 13:55
Venue:
San Francisco Museum of Modern Art - San Francisco, Estados Unidos
Pat O'Neill: Three Answers

By Marcos Ortega on Mon, 03/06/2019 - 05:05

A pioneer of experimental cinema, the Los Angeles artist Pat O’Neill developed innovative techniques for radically altering imagery in the predigital era. His highly inventive 16mm films from the 1960s and 1970s explore dense layering and movement within a still frame. In recent years, O’Neill has reworked several of his early films into multiple projections.
Dates:
Saturday, April 20, 2019 (All day) to Sunday, August 4, 2019 (All day)
Venue:
San Francisco Museum of Modern Art - San Francisco, Estados Unidos
Pat O'Neill: Contemporary Focus

By Tanya Zimbardo on Sun, 02/06/2019 - 04:32

This weekend spotlight on film pioneer Pat O’Neill explores the Los Angeles artist’s recent moving image work and dynamic use of various animation techniques. Playing continuously in the Gina and Stuart Peterson White Box, this program includes a three-channel version of Trouble in the Image (1996/2015). Presented in conjunction with the exhibition Pat O’Neill: Three Answers on Floor 7.

Dates:
Thursday, June 6, 2019 (All day) to Sunday, June 9, 2019 (All day)
Venue:
San Francisco Museum of Modern Art - San Francisco, Estados Unidos
Cineinfinito #87: Pat O'Neill

By Marcos Ortega on Tue, 09/04/2019 - 14:44

Pat O’Neill’s rarely screened masterpiece Water and Power (1989) is a technological feat on the terrifying desert created by Los Angeles’ enormous water consumption. O’Neill focused intently on the industry that sprang up around Los Angeles, ‘the city that changed land into desert’, which he filmed with the use of time-lapse photography and optical printing and animation. In this way, he managed to expose the inexorable conflict between industry and nature.
Dates:
Monday, April 15, 2019 - 18:00 to Tuesday, April 16, 2019 - 17:55
Venue:
Centro Cultural Doctor Madrazo - Santander, Spain
Xcèntric: Pat O’Neill. Optical compositions

By Marcos Ortega on Wed, 31/01/2018 - 08:37

Pat O’Neill is an inspirational figure on the Los Angeles avant-garde film scene. Considered a master and innovator in his use of the optical printer, the unexpected compositions and cinematographic landscapes that make up his cinema are the fruit of his pioneering, virtuoso artisan work which, in contrast with the digital age, strongly reveals its visual and chromatic intensity.
Dates:
Thursday, February 1, 2018 - 19:30
Venue:
Centre de Cultura Contemporània de Barcelona - Barcelona, España
Close-Up - Trouble in the Image: Pat O'Neill

By Marcos Ortega on Tue, 21/11/2017 - 16:03

Pat O'Neill presents a programme of films selected from his five decade career to coincide with the UK premiere of his new film Where the Chocolate Mountains at the Tate Modern on 23 November.
Dates:
Saturday, November 25, 2017 - 17:30
Venue:
Close-Up Cinema - London, United Kingdom
Canyon Cinema Salon: Landscape Plus presented by Laida Lertxundi

By Marcos Ortega on Wed, 01/03/2017 - 04:44

Please join Canyon Cinema for another installation of our Salon series, with Bilbao-born, California-based filmmaker Laida Lertxundi.
Dates:
Wednesday, March 15, 2017 - 19:00 to Thursday, March 16, 2017 - 18:55
Venue:
New Nothing Cinema - San Francisco, United States
Independent Frames: Shape and Structure

By Marcos Ortega on Mon, 13/02/2017 - 04:41

While structural film was the dominant form within the avant-garde tradition at the dawn of the 1970s, animators used shape and structure in a variety of ways that differentiated their works. Robert Russett composed geometric patterns and colour sequences in complex rhythms to create his pulsing, abstract films. Paul Glabicki created incisive, analytical works that explored objects through image, language, form and movement, drafting stunningly complicated sequences by hand.
Dates:
Saturday, February 18, 2017 - 14:30 to 16:30
Venue:
Tate Modern - London , Reino Unido
Troubling the Image: Works by Pat O'Neill

By Marcos Ortega on Tue, 31/01/2017 - 12:14

Since the 1960s, acclaimed experimental filmmaker Pat O’Neill has explored the visual complexities of moving images on screen, first through his mastery of the optical printer and more recently through digital tools. This program presents exemplary works of each. One of O’Neill’s final works on celluloid, the 35mm Trouble in the Image (1996) is a moving image artist’s book that hints and nudges towards rich connections and associations.
Dates:
Friday, February 10, 2017 - 19:00 to Saturday, February 11, 2017 - 18:55
Venue:
Logan Center for the Arts - Chicago, United States
Scratch Projection: Notre Dame (des Anges)

By Marcos Ortega on Tue, 27/09/2016 - 11:58

From the City of Angels to the City of Light, the filmmaker/programmer/film restorer Mark Toscano offers us in this program recently restored copies of Los Angeles artists' films.

The avant-garde cinematographic movement of Los Angeles has been for decades little studied and shown in comparison to the other two major US avant-garde centers New York and San Francisco. The city of Los Angeles has howver witnessed an extremely varied production and that has been the origin of a particularly influential culture of experimental film.

Dates:
Tuesday, October 4, 2016 - 20:30
Venue:
Studio des Ursulines - Paris, France