Tags: Nicholas Brooks

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  • Beyond the Surface

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    Return to Aeoulus Street (Maria Kourkouta, 2012-2013)

    From October 19th to 24th - 2015 Labor Neunzehn proudly presents the film screening programme Beyond the surface.

    International artists have been invited to contribute their films to create different ways of perceiving, transforming, articulating, deconstructing the subtext that triggers the title of this series. The things of the world are not represented by our minds at any given moment, and usually their life is not accessible to us, but hidden, concealed, or withdrawn. Whether we stay, go beyond or beneath, we are moving around the surface, by a language of desire and suppression that turns the interiority inside-out and inflects the outward forms in a moltitude of facets. From the RGB screen in itself to precise political and postcolonial contexts, from war to entertainment, from dream to vision, we come across the surface. A concealing-movement that will be fulfilled optically, and with a self-published catalogue, distributed in occasion of the event.

    Dates: 

    Monday, October 19, 2015 - 14:00 to 18:00
    Tuesday, October 20, 2015 - 14:00 to 18:00
    Wednesday, October 21, 2015 - 14:00 to 18:00
    Thursday, October 22, 2015 - 14:00 to 18:00
    Friday, October 23, 2015 - 14:00 to 18:00
    Saturday, October 24, 2015 - 14:00 to 18:00

    Venue: 

    Labor Neunzehn - Berlin, Germany

  • Scratch Projection: F O C U S

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    1859 (Fred Worden, 2008)Scratch Projection: F O C U S
    Tuesday 12 February 2013, 20:30h
    Cinéma Action Christine
    4, rue Christine, 75006 Paris

    Program introduced by Erwin van ‘t Hart (International Film Festival of Rotterdam and freelance programmer)

    Zen for film, a retreat in the cinema. Complex film structures leading to a coherent visual experience, striving for simplicity and ultimately: nothingness. Films by Nicholas Brooks, Ivan Ladislav Galeta, Fred Worden, Takahiko Iimura and Paul Sharits will fill the space. An invitation to sit and contemplate.
    How to prepare for a choreographic etude for unusual objects, a symmetrical film concept with two distinct centers, a celestial space filled with spherical light flares, a balanced superimposition of natural and rectangular form or a complex narrative of solid color harmonies? A quote by Arata Isozaki from the text of the film Ma: Space/Time from the Garden of Ryoan-ji will lead the way.

    Perceive not the objects
    but the distance
    between them
    not the sounds
    but the pauses
    they leave unfilled

    Category: 

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Albert Alcoz releases Cineinfinito Robert Beavers Blitz Sessions (S8) Mostra de Cine Periférico Stan Brakhage Mark Webber Xcèntric Phil Solomon DVD call for entries Ken Jacobs Laida Lertxundi Ben Rivers interview Kenneth Anger Nathaniel Dorsky videoart CCCB Pablo Mazzolo experimental film screening festival Jonas Mekas
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