Tags: Malcolm Le Grice

Malcolm Le Grice

Malcolm Le Grice (May 1940) is a British experimental filmmaker, theoretician and painter.

Biography

Nationality: 

United Kingdom

Tagged content

  • Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

    By on
    Mare's Tail (David Larcher, 1969)

    The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture. In contrast to similar co-operative endeavours, the LFMC's activity was not limited to distribution – within a few years it was also running a regular program in its own cinema and, most notably, it democratized the means of production by establishing a film workshop that enabled filmmakers to control every stage of the creative process.

    Dates: 

    Thursday, March 14, 2019 (All day) to Sunday, March 17, 2019 (All day)

    Venue: 

    Austrian Film Museum - Vienna, Austria

  • Physicality and the Moving Image

    By on
    Destruction of an Image Sensor (Stephen Cornford, 2016)

    Saturated colour, sensor mutilation and seminal film flicker take over two floors of The Brunswick Club. Avant-garde film pioneer Malcolm Le Grice introduces a selection of his films including Little Dog for Roger (1967) and the dual 16mm version of Berlin Horse (1970). Peter Tscherkassky’s sensual and spectral The Exquisite Corpus (2015) completes the screenings.

    Dates: 

    Friday, October 27, 2017 - 20:00

    Venue: 

    Bristol Experimental & Expanded Film (BEEF) - Bristol, United Kingdom

  • Braquage: On the loop

    By on
    Berlin Horse (Malcolm Le Grice, 1970)

    The motif of the loop, or more precisely repetition with variations, is one of the formal and thematic principles recurrent in experimental cinema, one of its major functions being to defamiliarize the gaze in a strange paradox. This selection of films offers an overview of different techniques and conceptual variations of this fascinating and troubling motif.

    Dates: 

    Tuesday, July 4, 2017 - 20:30

    Venue: 

    Espace en Cours - Paris , France

  • Mire: Mechanics of the Copy

    By on
    Broken Horses (Peter Miller, 2007)

    This special session is the launch of the "Re-engineering the industry" program, dedicated to a Mire laboratory machine, the Debrie contact printer, which makes it possible to copy 16mm film. In the coming months, masterclass, workshop and artist residency will aim at a dialogue between artists and technicians in order to perpetuate and develop the use of machinery abandoned by the film industry and to reappropriate its use for artistic purposes.

    Dates: 

    Thursday, December 15, 2016 - 21:00

    Venue: 

    Le Cinématographe - Nantes, France

  • Malcolm Le Grice: "Principles of Cinematography" and "Horror Film 1"

    By on

    British moving image pioneer Malcolm Le Grice revisits two of his early performative works for the launch of Dreamlands: Expanded. In the rarely seen “Principles of Cinematography” (1973) Le Grice reads from Leslie J. Wheeler’s 1953 book of the same name to the accompaniment of projection of clear 16mm film leader. Le Grice also performs his iconic “Horror Film 1” for triple 16mm projection, employing his own body in a shadow play with the superimposed streams of colored light. First performed in 1971, the work was described at the time by Jonas Mekas as “one of his most simple, most classical, and also most ecstatic pieces”.

    Dates: 

    Monday, October 31, 2016 - 19:30

    Venue: 

    Microscope Gallery - Brooklyn, United States

  • Dreamlands: Expanded

    By on
    Steam Screens (Stan VanDerBeek & Joan Brigham, 1979, Whitney Museum of American Art)

    Microscope Gallery is pleased to announce Dreamlands: Expanded, a series of expanded cinema events organized in collaboration with the Whitney Museum of American Art as part of the exhibition "Dreamlands: Immersive Cinema and Art, 1905-2016”. The ten event, two-and-a-half month long series complements and extends the scope of the exhibit, from the installation works on the museum’s fifth-floor and the film screening program in its third-floor theater, across the East River to include historical and contemporary performance works that collectively propose alternative ways to perceive, conceive, and consider the image in motion.

    Dates: 

    Monday, October 31, 2016 (All day)
    Saturday, November 5, 2016 (All day)
    Friday, November 11, 2016 (All day)
    Monday, November 14, 2016 (All day)
    Friday, November 18, 2016 (All day)
    Sunday, November 20, 2016 (All day)
    Saturday, December 10, 2016 (All day)
    Saturday, December 17, 2016 (All day)
    Monday, December 19, 2016 (All day)
    Sunday, January 15, 2017 (All day)

    Venue: 

    Microscope Gallery - Brooklyn, United States

  • Soft Floor, Hard Film: Celebrating 50 Years of the London Film-Makers’ Co-op

    By on

    Frieze Video and LUX present Soft Floor, Hard Film: 50 Years of the London Film-Makers’ Co-op.

    Formed on October 13th 1968, the London Film-Makers’ Co-operative (LFMC) grew out of a series of screenings in the basement of counter-culture book store, Better Books, on Charing Cross road to become a pioneering organisation incorporating a film workshop, cinema space and distribution office. Radical in its early ideals, the Co-op played a crucial role in establishing moving image as an art form in the UK and internationally.

    Dates: 

    Thursday, October 13, 2016 - 19:00

    Venue: 

    Institute of Contemporary Arts - London, United Kingdom

  • SHOOT SHOOT SHOOT: Film Screenings celebrating the London Film-Makers’ Co-operative

    By on
    At The Academy (Guy Sherwin, 1974)

    An afternoon of screenings celebrating the first decade of LUX’s predecessor, the London Film-Makers’ Co-operative (1966–76). The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process.

    Dates: 

    Sunday, April 10, 2016 - 15:00

    Venue: 

    Borlase-Smart Studio - St Ives, United Kingdom

Pages

Related tags

Lis Rhodes William Raban Peter Gidal Rose Lowder Guy Sherwin Paul Sharits expanded cinema LUX performance Ken Jacobs

Tag cloud

(S8) Mostra de Cine Periférico call for entries interview Robert Beavers festival Ben Rivers screening videoart Cineinfinito experimental film Laida Lertxundi Phil Solomon CCCB Stan Brakhage Mark Webber Jonas Mekas Pablo Mazzolo releases Albert Alcoz Nathaniel Dorsky DVD Xcèntric awards Ken Jacobs Kenneth Anger
More

Random tags