Over the past half-century, two tendencies have dominated independent, artisanal filmmaking. One of these is the fascination with the material artifacts of cinema´s history: it is often called »found-footage filmmaking« and sometimes »recycled cinema«. Filmmakers working in this vein are often archeologists of cinema, aesthetically and/or ideologically engaging with the work of earlier generations of filmmakers of all kinds.

This publication offers a selective retrospective of the work of photographer and filmmaker Friedl Kubelka, known as a filmmaker under the name of Friedl vom Gröller. In addition to a selection of her fashion photographs, the book focuses on portraits of her friends and family, as well as series of images and films.

The cinema of Hollywood is a cinema of exclusion, reduction and denial, a cinema of repression. There is always something behind that which is being represented, which was not represented. And it is exactly that that is most interesting to consider.
(Mar

The subversive, ironic analysis of systems of social control; pseudo-scientific technical experiments, for example with objects of daily use; and the »manipulation« of our visual habits with the help of technical
apparatus ­ these are central aspects of