Over the past half-century, two tendencies have dominated independent, artisanal filmmaking. One of these is the fascination with the material artifacts of cinema´s history: it is often called »found-footage filmmaking« and sometimes »recycled cinema«. Filmmakers working in this vein are often archeologists of cinema, aesthetically and/or ideologically engaging with the work of earlier generations of filmmakers of all kinds.
Norbert Pfaffenbichler (born 1967, Austria) has been involved in the emergence of the Austrian abstract cinema in the mid 1990s, when a generation of artists has begun to produce radical computer and video works, combining electronic music and abstract media art.
This publication offers a selective retrospective of the work of photographer and filmmaker Friedl Kubelka, known as a filmmaker under the name of Friedl vom Gröller. In addition to a selection of her fashion photographs, the book focuses on portraits of her friends and family, as well as series of images and films.
This new DVD compiles eight short films made by Peter Tscherkassky, including multi-awarded breathtaking Instructions for a Light and Sound Machine and his most recent film Coming Attractions. Along "Films from a Dark Room" (INDEX008) featuring internationally celebrated Tscherkassky's found footage trilogy - L'arrivée, Outer Space, Dream Work - this new release on INDEX offers an exhilarating excursion in Peter Tscherkassky's radical cinema.
Nirgendwo wird die Rede vom \"panoptischen Zeitalter\", von einem Auge, das alles erfasst und selbst unfassbar bleibt, deutlicher, als in eben dem Medium, das Allgegenwart und Flüchtigkeit im globalen Maßstab umgesetzt hat: das Internet.
A DVD release celebrating the extraordinary young video and electronic music scene in Austria. These are radical avant-garde works that emerge logically from modern electronic music. The images sometimes tie in with the earliest pure abstract avant-garde
This compilation offers an opportunity for a substantial view of Austrian experimental and documentary film´s varied status quo. The works on this DVD range from subjective to rigidly structural documentary approaches, from abstract music videos and conce
Kurt Kren´s Action films are the most tangible way of comprehending the nature of Actionist works of art and events today. I´am not referring to the recognizability of an action´s dramaturgical details, but rather to the fact that Kren´s Action films make
With her characteristic consistency Gertrude Moser-Wagner has viewed her work as a sculptress in the conceptual tradition even at a time when other approaches were more in the limelight. She uses very precise artistic stategies, such as the transferral
