Tags: Guy Sherwin

Tagged content

  • Shoot Shoot Shoot, London Film-Makers' Co-operative - The First Decade

    By on
    Mare's Tail (David Larcher, 1969)

    The London Film-Makers' Co-operative (LFMC) was founded in October 1966, and soon grew from its beginnings as a film-viewing group to become one of the major centres of a worldwide network of avant-garde film culture. In contrast to similar co-operative endeavours, the LFMC's activity was not limited to distribution – within a few years it was also running a regular program in its own cinema and, most notably, it democratized the means of production by establishing a film workshop that enabled filmmakers to control every stage of the creative process.

    Dates: 

    Thursday, March 14, 2019 (All day) to Sunday, March 17, 2019 (All day)

    Venue: 

    Austrian Film Museum - Vienna, Austria

  • Punto de Vista 2019

    By on

    The 2019 edition of Punto de Vista, Navarra's International Documentary Film Festival (March 11-16, Pamplona) features this year a programme with a strong presence of avan-garde films. One of the main protagonists of this edition will be the figure od the recently passed away Jonathan Schwartz, with a a retrospective of his work and the publication of the book 'To light, to love, to time: Jonathan Schwartz'.

    Dates: 

    Monday, March 11, 2019 (All day) to Saturday, March 16, 2019 (All day)

  • Cinema Parenthèse #3: Neil Henderson (in person) & Guy Sherwin

    By on

    Neil Henderson’s work involves varied ways of mapping and exploring site, strata, and landscape. With static long takes, Henderson uses the landscape as a formal structure, reflecting on presence and place, repetitive variations of similar subjects/objects in a way that reminds us of Robert Smithsson and Richard Long's land-art, and photographic work by Ger Dekkers and Jan Dibbets among others. For example in "Tidal Island" (2014), Henderson returns to the site of a circular man-made island off the east coast of England.

    Dates: 

    Saturday, June 23, 2018 - 19:00

    Venue: 

    Cinema Galeries - Brussels, Belgium

  • VISIONS | 15.03.18 | KELLY EGAN

    By on

    VISIONS, in collaboration with la lumière collective, presents:
    KELLY EGAN : SYNTHETIC SOUNDS: FILM OUTSIDE THE FRAME

    [Programme by Kelly Egan]

    [Filmmaker Present | 16mm + HD Projection]

    Programme:

    Dates: 

    Thursday, March 15, 2018 - 20:00

    Venue: 

    la lumière collective - Montréal, Canada

  • VisualcontainerTV: One Minute

    By on
    How The Air Feels to The Birds' by Nick Jordan

    VisualcontainerTV is proud to present the result of 9 years of research in the contemporary videoart field by the artist and curator Kerry Baldry. A variety of languages and visions collected in a kaleidoscopic selection about 39 videos.

    Dates: 

    Wednesday, July 26, 2017 (All day) to Friday, September 1, 2017 (All day)

  • Resonancias Fílmicas. El sonido en el cine estructural (1960-1981)

    Explorar los intersticios estéticos e ideológicos de la dimensión sonora en el cine experimental es el motivo principal de esta investigación. En estas páginas se estudia el sonido desde una posición analítica que enfatiza la idiosincrasia de los procesos de creación acústicos de los cineastas, las rupturas sónicas que formulan sus películas y los desafíos auditivos que suscitan a la audiencia.

    Rating: 

    Average: 3.9 (12 votes)

    Category: 

    Publisher: 

  • SHOOT SHOOT SHOOT: Film Screenings celebrating the London Film-Makers’ Co-operative

    By on
    At The Academy (Guy Sherwin, 1974)

    An afternoon of screenings celebrating the first decade of LUX’s predecessor, the London Film-Makers’ Co-operative (1966–76). The LFMC was founded in October 1966 as a non-commercial distributor of avant-garde cinema. In contrast to similar groups that emerged around the world, it grew to incorporate a distribution service, cinema space and film laboratory. Within this unique facility, filmmakers were able to control every aspect of the creative process.

    Dates: 

    Sunday, April 10, 2016 - 15:00

    Venue: 

    Borlase-Smart Studio - St Ives, Reino Unido

  • Xcèntric: Noise and soundscape in structural film

    By on
    Bondi (Paul Winkler, 1979)

    Sound in cinema is a key element to understanding the authors' artistic conception. This is a session specially designed to learn a bit more about the different roles of the soundtrack in the structural film.

    The filmmakers who practise the technical and aesthetic considerations of structural film work with sound from disruptive stances. Graphic manipulations on the optical soundtrack of the celluloid and alterations to ambient sound offer acoustic dialogues about noise and soundscape.

    Dates: 

    Thursday, February 18, 2016 - 20:00

    Venue: 

    Centre de Cultura Contemporània de Barcelona - Barcelona, Spain

Pages

Related tags

Chris Welsby Paul Winkler Steve Farrer Chris Gallagher Kurt Kren William Raban Nicky Hamlyn Rose Lowder LUX Malcolm Le Grice Albert Alcoz releases

Tag cloud

festival call for entries Jonas Mekas videoart Robert Beavers screening Ken Jacobs CCCB Nathaniel Dorsky interview Cineinfinito awards DVD Laida Lertxundi experimental film Pablo Mazzolo Stan Brakhage Mark Webber Kenneth Anger Albert Alcoz Ben Rivers releases (S8) Mostra de Cine Periférico Phil Solomon Xcèntric
More

Random tags