Tags: experimental animation

Tagged content

  • Citric Signals Video Network Open Call #2: micro

    By on

    Citric Signals is now accepting submissions for their quarterly, prompt-based open calls. Selected submissions will be screened virtually this Fall.

    Open Call #2: "micro"
    Deadline: July 16, 2021 @ 11:59 PM. Send us any experimental films you have (new or old) responding to the prompt “micro”. Only one submission per artist and works must be 5 minutes or less. Other than that we’re open to all weird, wild, and avant-garde work you want to send our way!

    Deadline: 

    Friday, July 16, 2021 - 12:00

  • Aggregate Animated Shorts | Fourth Annual International Short Film Festival

    By on

    ASG is pleased to announce our “Fourth Annual International Animated Short Film Festival.”

    In our ongoing effort to present unique and challenging art experiences to the public, Aggregate Space Gallery is proud to launch this celebration of non-commercial and experimental animation. Animation, as a subset within video art, is unique in its versatility as a communicative form and its ability to place viewers inside adjacent realities. It is a medium without rules or restrictions, and its content can address ideas as simple or as complex as the animator intends.

    Deadline: 

    Sunday, June 28, 2020 - 11:45

  • Call for Experimental Animation - Drawn In at maybe blue

    By on

    maybe blue, residential art space in Boulder CO, seeks submissions of experimental animations

    We are seeking submssions of experimental animations that incorporate hand-drawn images. We are interested in underground and experimental works. Submssions must not exceed 10 minutes. SUBMISSIONS ARE FREE.

    Drawn In (I)

    Deadline: 

    Thursday, April 9, 2020 (All day)

  • Directors Lounge Screening: Kim Collmer - Behind the Curtain

    By on
    Kim Collmer - Behind The Curtains - Directors Lounge Screening

    Animation and "real film" come together almost seamlessly in the work of Kim Collmer, connecting creative fantasy with space and place. The artist who lives in Köln was born in Seattle. She studied Art History and German in Washington and Sculpture and Animation in Chicago. She works with video, installation, and painting/collage. For her films, she uses an amazing variety of materials both in front of the camera as in her editing process.

    Dates: 

    Thursday, February 27, 2020 - 21:00 to Friday, February 28, 2020 - 20:55

    Venue: 

    Z-Bar, Berlin - Berlin, Alemania

  • The Rhythm of Clay: Strata-cut animation workshop by Tomek Ducki & Gina Thorstensen

    By on

    This year Primanima World Festival of First Animations has opened a call for its 4th international workshop. The three-day workshop by Tomek Ducki  and Gina Thorstensen is centered around one of the most singular clay animation techniques, strata-cut. During this experimental animation workshop, the participants can learn the tricks of strata-cut and can combine it with other clay animation techniques. Under the guidance of two acclaimed animation directors and artists, the participants will create a joint music video.

    Deadline: 

    Sunday, October 6, 2019 (All day)

  • Go go go! Women in Experimental Animation: The Crafty Animator

    By on

    On July 11th Bristol Cube will screen the final in the BEEF organised Go go go: Women in Experimental Animation series. There's a line up of great films, plus guest speaker Caroline Ruddell, co editor of 'The Crafty Animator: Handmade Craft-based Animation and Cultural Value', will introduce the screening!

    The films within this programme deploy modes of humour, irony, absurdity, the grotesque, mystery, beauty and defiance where qualities of shape, colour, texture, light, materiality and movement and questions of process itself are given priority.

    Dates: 

    Thursday, July 11, 2019 - 20:00 to Friday, July 12, 2019 - 19:55

    Venue: 

    The Cube Cinema - Bristol, United Kingdom

  • Aggregate Animated Shorts OPEN CALL - Third Annual International Experimental Animated Short Film Festival

    By on

    ASG is pleased to announce our “Third Annual International Experimental Animated Short Film Festival”.

    We will be accepting films from 2 - 25 minutes of length in the categories of narrative and non-narrative. Animations of all styles, digital and analog, will be considered. Submissions are DUE JUNE 23 / 11:59 PM PST. You will receive an email by our team regarding your submission in early July.

    Deadline: 

    Sunday, June 23, 2019 (All day)

  • Poetic Deconstruction: Workshop by Péter Lichter & Bori Máté at Primanima

    By on

    The aim of this unique experimental film workshop at Primanima Festival of First Animations is to get the participants acquainted with the technique of making a celluloid-based abstract film. During the workshop, the participants will work with 35 mm celluloid strips and colour them with different paints and felt tip markers. The strips used for the workshop have been buried in the ground and the procedure partially decomposed the images on them.

    Deadline: 

    Monday, October 15, 2018 (All day)

  • Experimental & Expanded Animation: Current Perspectives & New Directions

    By on

    This conference aims to reach further into understandings of what experimental animation is and has been since Robert Russett and Cecile Starr defined this territory in 1976.  Of the subsequent multiple investigations since, few have claimed to research experimental animation specifically as Hamlyn and Smith have sought to do in their volume: Experimental and Expanded Animation: Current Perspectives & New Directions, the recent publication of which has catalysed this research day.  This event aims to further focus our project and to develop findings from the publication through more immediate methods of open dialogue and/or film practice.

    Deadline: 

    Thursday, November 15, 2018 (All day)

  • Experimental and Expanded Animation. New Perspectives and Practices

    This book discusses developments and continuities in experimental animation that, since Robert Russet and Cecile Starr’s Experimental Animation: Origins of a New Art (1976), has proliferated in the context of expanded cinema, performance and live ‘making’ and is today exhibited in galleries, public sites and online. With reference to historical, critical, phenomenological and inter-disciplinary approaches, international researchers offer new and diverse methodologies for thinking through these myriad animation practices.

    Rating: 

    No votes yet

    Category: 

    Publisher: 

Pages

Related tags

Independent Frames Herb Shellenberger Edge of Frame Weekend Edge of Frame Vicky Smith

Tag cloud

Nathaniel Dorsky Punto de Vista festival Stan Brakhage Jonas Mekas Ken Jacobs Blitz Sessions Phil Solomon Mark Webber Cineinfinito DVD videoart Pablo Mazzolo releases Laida Lertxundi call for entries screening Albert Alcoz CCCB Robert Beavers Kenneth Anger (S8) Mostra de Cine Periférico Xcèntric experimental film interview
More

Random tags