Tags: Corinne Cantrill

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Contested Grounds: Films by Arthur and Corinne Cantrill

By Marcos Ortega on Mon, 20/05/2019 - 07:25

Over a period of more than 60 years now, Arthur and Corinne Cantrill have created a filmic cosmos that is unrivaled in its polymorphic experimental visual and tonal abundance. Their works range from documentaries to experimental films, from multi-screen installations to performances and sound art. Between 1971 and 2000, they also edited and published Cantrill Filmnotes, an international journal about experimental film, video and the applied arts. Their oeuvre explores artists, social movements and particularly Australia’s landscape.
Dates:
Monday, June 3, 2019 (All day)
Thursday, June 6, 2019 (All day)
Saturday, June 8, 2019 (All day)
Monday, June 10, 2019 (All day)
Friday, June 14, 2019 (All day)
Saturday, June 15, 2019 (All day)
Sunday, June 23, 2019 (All day)
Wednesday, June 26, 2019 (All day)
Sunday, June 30, 2019 (All day)
Venue:
Arsenal - Institute for Film and Video Art - Berlin, Germany
Cineinfinito #88 & #89: Arthur & Corinne Cantrill

By Marcos Ortega on Thu, 09/05/2019 - 07:28

Arthur Cantrill and Corinne Cantrill (born in Sydney, Australia, in 1938 and 1928 respectively) have made more than a hundred films since 1960. Their work covers different forms and genres: documentary, experimental cinema, expanded cinema, performance and sound art. They meet in the late fifties in Brisbane and since then they share a long and prolific personal and artistic relationship.
Dates:
Thursday, May 30, 2019 (All day)
Friday, May 31, 2019 (All day)
Venue:
Centro Cultural Doctor Madrazo - Santander, España
Xcèntric Cinema: Arthur and Corinne Cantrill. Touching the Earth

By Marcos Ortega on Tue, 19/02/2019 - 07:22

A great deal of the films by filmmakers Arthur and Corinne Cantrill are based on the study of landscape, relating filmic shapes with the shapes of places. Not only does it provide a close-up of the rugged harshness of the Australian landscape, the films in this session - Bouddi, Island Fuse and Ocean Point Lookout – look into the materiality of the actual image and perception, posing us with questions about the nature of cinema and its capacity to create other worlds.
Dates:
Thursday, February 21, 2019 - 19:30
Venue:
Centre de Cultura Contemporània de Barcelona - Barcelona, Spain
Xcèntric Cinema: Conversations on the creative process and the filmic vision
Xcèntric Cinema. Conversations on the creative process and the filmic vision, edited by Gonzalo de Lucas, takes us into the workshop of the filmmaker, that personal space in which film creators think about their working methods and aesthetic ideas. A constellation of images, experiences, notes and inspirational ideas from some great filmmakers that serve as a notebook of creative projects and which help to expand our imaginative field.
Rating:

Average: 3.4 (5 votes)
Category:
Books
Publisher:
CCCB
Braquage: On the loop

By Marcos Ortega on Mon, 03/07/2017 - 14:33

The motif of the loop, or more precisely repetition with variations, is one of the formal and thematic principles recurrent in experimental cinema, one of its major functions being to defamiliarize the gaze in a strange paradox. This selection of films offers an overview of different techniques and conceptual variations of this fascinating and troubling motif.
Dates:
Tuesday, July 4, 2017 - 20:30
Venue:
Espace en Cours - Paris , France
Turbidus Film #14: Landscapes and Abandoned places

By Marcos Ortega on Tue, 17/05/2016 - 11:04

Fylkingen and Turbidus Film present Landscapes and abandoned places, a second program with five experimental film makers that focused on landscapes, architecture, abandoned places, strata, glimpses of gardens, light patterns, and elements as earth, water, fire and wind...

Films by: Julie Murray (IRL), Giovanna Puggioni (IT), Adèle Friedman (US), and Arthur & Corinne Cantrill (AUS). All films on 16mm.

Dates:
Thursday, May 26, 2016 - 19:00
Venue:
Fylkingen - Stockholm, Sweden
Oskar Fischinger (1900-1967): Experiments in Cinematic Abstraction
Edited by Cindy Keefer and Jaap Guldemond. This new monograph explores the position of Fischinger's work within the international avant-garde. It examines his animation and painting, his use of music, his experiences in Hollywood, the Lumigraph, visual music theories, and his influence on today's filmmakers, artists and animators. The book also contains previously unpublished documents including texts by Fischinger himself, and unshot animation drawings. Essays compiled and commissioned by editor Keefer include new research and texts by Jean-Michel Bouhours, Jeanpaul Goergen, Ilene Susan Fort, James Tobias, Cindy Keefer, Richard Brown, Joseph Hyde, Paul Hertz, Joerg Jewanski, and more.

Rating:

Average: 3 (1 vote)
Category:
Books
Publisher:
Eye Film Museum
Center for Visual Music
Media City 14 Awards

By Marcos Ortega on Mon, 17/03/2008 - 09:20
Grand Prize:

- Bachelor Machines Part I & Part II (Rosalind Nashashibi, Scotland, 2007)

2nd Prize:

- Victory over the Sun (Michael Robinson, USA, 2007)

3rd Prize:

- Public Domain (Jim Jennings, USA, 2007)

Honourable mentions (in alphabetical order):

- Androa Autoportrait (Matthias De Groof and Kristin Rogghe with Androa Mindre Kolo, Belgium/ DR Congo, 2006)

- Bay Bridge from Embarcadero (Guy Sherwin, England, 2004/2007)

- Dislocated Smaller Parts (Bruce McClure, USA, 2008)

- Golf House and Grey Heron II (Helga Fanderl, Germany, 2006)

- Land of Cockaigne (Rachel Reupke, England, 2007)

- Observando el Cielo (Jeanne Liotta, USA, 2007)

- Room of Chromatic Mystery (Arthur & Corinne Cantrill, Australia, 2006)

- RR (James Benning, USA, 2007)

- Sidewalk (Karl Kels, Germany, 2008)

- Sketch Film #5 (Tomonari Nishikawa, Japan, 2007)

- Take into the air my quiet breath (Speculative Archive, USA, 2007)

The jury:

Amy Beste is Director of Public Programming for the department of Film, Video & New Media at the School of the Art Institute of Chicago, where she organizes the visiting artist series "Conversations at the Edge" at the Gene Siskel Film Center.

Vincent Grenier has been making experimental films and videos since the early 1970s. His films have been exhibited at the Pompidou Centre, the Museum of Modern Art (NYC), and countless other international venues and festivals. Grenier is currently Chair of the Cinema Department at Binghamton University in New York.

Mike Sperlinger is Assistant Director of LUX, London, which holds the UK's most significant collection of artists' film and video. He has contributed to publications including Frieze, Radical Philosophy and Art Monthly, and recently edited the book "Afterthought: New Writing on Conceptual Art (Rachmaninoffs, 2005)
Category:
General news