Kino Palais se enorgullece de saldar una deuda histórica con uno de los más importantes realizadores de nuestra historia del cine experimental: Claudio Caldini. Verdadero prócer del cine de los márgenes nacional, conocedor y memorioso de cada uno de los momentos importantes de su historia, Claudio Caldini se erige como un faro para reflexionar, en plena era digital, sobre cómo el en el futuro del cine está su propio origen, tal como más de una vez él mismo ha señalado.

The Socio-enviromental film show is dedicated to generate thought about the relations between landscape, inner spaces, mankind and animality in the Anthropocene. Gathering films, a round table and an installation the aim is to develop thought and decolonized perspectives about the current degradation state in the whole socio-enviromental context in which the showing occurs, the Pernambuco state in Brazil. The two programmes (Animal qualque(e)r & Cidade da Si/elva) articulate films from yann beauvais, Mike Hoolboom, Claudio Caldini, Duke and Battersby with women filmmakers like Cherry Kino, Juliana Dorneles, Rai Sacramento, Renata Claus and Carla Lombardo (installation) in order to create interconnections between gender, sexuality, nature and cultural dimensions.

Organized by Buenos Aires-based filmmaker and curator Pablo Marín, Ghost Anthology charts an eye-opening course through the last 40 years of Argentina’s rugged experimental film history, showcasing a collection of films rarely exhibited in the US. The movement exploded in the 1970s, just as the country came under the control of a military dictatorship. Forced underground, artists experimented with small, consumer-grade film cameras and developed informal collectives to produce collaborative, deeply personal, and formally dazzling works. Included here are films by such pivotal makers as Narcisa Hirsch, Horacio Vallereggio, Jorge Honik, Gabriel Romano, and Claudio Caldini, as well as contemporary artists Sergio Subero, and Pablo Mazzolo, among others.

Curator Pablo Marín in person