Tags: Cauleen Smith

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Proximities: Four Films by Cauleen Smith

By Marcos Ortega on Thu, 29/04/2021 - 04:17

Proximities: Four Films by Cauleen Smith
April 29–May 23, 2021
presented by San Francisco Cinematheque in association with the San Francisco Museum of Modern Art.
Program curated by Steve Polta and Tanya Zimbardo.
Dates:
Thursday, April 29, 2021 (All day) to Sunday, May 23, 2021 (All day)
The Iowa City International Documentary Film Festival (ICDOCS)

By ACRE TV on Thu, 30/04/2020 - 13:48

Streaming on ACRETV.org:
The Iowa City International Documentary Film Festival (ICDOCS)
April 30 – May 2, 2020
Dates:
Thursday, April 30, 2020 - 18:00 to Saturday, May 2, 2020 - 21:30
Venue:
ACRE TV - Chicago, Estados Unidos
getting at //... the very idea of how images are - made -

By Annie on Mon, 03/02/2020 - 16:41

The two night final showcase of the yearlong experimental film series The American Experiment kicks off with a night of shorts curated around the idea and process of image making.

COUNTRY BALL 1989-2012 (Jacolby Satterwhite, 2012, 12:38)

CHRONICLE OF A LYING SPIRIT (BY KELLY GABRON) (Cauleen Smith, 1992, 6 min.)

PICTURES FROM DOROTHY (Kevin Jerome Everson, 2003, 5:30 min.)
Dates:
Thursday, February 27, 2020 - 19:30
Venue:
Maysles Institute - New York, United States
She Makes Noise 2019

By Marcos Ortega on Thu, 26/09/2019 - 12:39

she makes noise turns five, confirming its status as one of the most eagerly anticipated highlights of the autumn cultural calendar. It seems like it was only yesterday when we began planning this bold, risky niche event, and now we’ve got a solid track record of opening “doors and windows” to contemporary creativity from a gender perspective.
Dates:
Thursday, October 3, 2019 (All day) to Sunday, October 6, 2019 (All day)
Venue:
La Casa Encendida - Madrid, Spain
Bozar: Avant-Noir #1 & #2

By Marcos Ortega on Thu, 07/02/2019 - 04:26

In 2014 the program Avant-Noir was first organised on the occasion of the Artist’s Film Biennial at Institute of Contemporary Arts in London. It was conceived to celebrate the work of artists active in this new century who are struggling for a new value and a new perspective placed on the black image in film and video art. These essential films and videos and the artists who created them are in some cases woefully underseen, in other cases known but not celebrated nearly enough.
Dates:
Friday, February 15, 2019 - 19:00 to Saturday, February 16, 2019 - 18:55
Venue:
Bozar Cinema (Centre For Fine Arts) - Bruxelles, Belgium
Affinities or The Weight of Cinema

By Marcos Ortega on Tue, 14/11/2017 - 04:46

The idea behind Affinities or The Weight of Cinema derives from Goethe’s classic 1809 novel Elective Affinities. The project, playfully adapting Goethe’s artistic-scientific theory of attractions to the practice of exhibiting experimental cinema, is presented in person by filmmaker Kevin Jerome Everson and curator Greg de Cuir Jr, who serve as co-curators. Eight programs of international works of film and video art are arranged along various thematic lines that correspond to their shared interests and concerns.
Dates:
Saturday, January 6, 2018 (All day)
Sunday, January 7, 2018 (All day)
Saturday, January 13, 2018 (All day)
Sunday, January 14, 2018 (All day)
Venue:
National Gallery of Art - Washington, United States
Canyon Cinema Salon: Landscape Plus presented by Laida Lertxundi

By Marcos Ortega on Wed, 01/03/2017 - 04:44

Please join Canyon Cinema for another installation of our Salon series, with Bilbao-born, California-based filmmaker Laida Lertxundi.
Dates:
Wednesday, March 15, 2017 - 19:00 to Thursday, March 16, 2017 - 18:55
Venue:
New Nothing Cinema - San Francisco, United States
Sense and Sensuality: Bay Area Feminist Filmmaking of the 1980s

By Marcos Ortega on Fri, 15/07/2016 - 14:59

Much critical attention to women’s avant-garde filmmaking of the 1970s and 1980s focused on East coast and European feminist filmmakers, the critique of visual pleasure and the notion of the male gaze in cinema. In San Francisco, a new generation of feminist avant-garde filmmakers were emerging with a very different approach to questions of gender and pleasure in cinema.
Dates:
Thursday, July 21, 2016 - 19:00 to Friday, July 22, 2016 - 18:55
Venue:
Museum of Arts and Design - ,
Eye on a Director: Canyon Cinema

By Marcos Ortega on Wed, 06/07/2016 - 15:22

For the second installment of Eye on a Director, MAD highlights the collection of the legendary film distributor and archive Canyon Cinema. In the late 1950s, Canyon Cinema brought together independent film artists whose work reflected a remarkable diversity in style and content. Variously called avant-garde, underground and experimental, these artists shared a vision of filmmaking as a form of personal expression, free from the demands and constraints of commercial conventions.
Dates:
Thursday, July 7, 2016 - 19:00 to Friday, July 8, 2016 - 18:55
Thursday, July 14, 2016 - 19:00 to Friday, July 15, 2016 - 18:55
Thursday, July 21, 2016 - 19:00 to Friday, July 22, 2016 - 18:55
Thursday, July 28, 2016 - 19:00 to Friday, July 29, 2016 - 18:55
Thursday, August 4, 2016 - 19:00 to Friday, August 5, 2016 - 18:55
Thursday, August 11, 2016 - 19:00 to Friday, August 12, 2016 - 18:55
Thursday, August 18, 2016 - 19:00 to Friday, August 19, 2016 - 18:55
Venue:
Museum of Arts and Design - ,
Avant-Noir Volume 2

By Marcos Ortega on Tue, 07/07/2015 - 16:52

Avant-Noir surveys contemporary work by moving image artists about African and African diaspora cultures. It is rare that we see Black bodies on screens at film festivals and exhibitions, perhaps even more rare when those images are created by Black artists.
Dates:
Wednesday, July 8, 2015 - 18:45
Venue:
Institute of Contemporary Arts - London, United Kingdom