Tags: Catherine Elwes

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Landscape and the Moving Image
New exploration of how the moving image mediates our relationship to and understanding of landscapes. The focus is on artists’ film and video and draws on work from the 1970s to the present day. An informed, personal view from a high profile author considering if appreciation of nature’s aesthetics undermines commitment to ecology.
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Books
Publisher:
Intellect Books
LVA 40

By Marcos Ortega on Mon, 22/08/2016 - 07:19
2016 marks both the 50th anniversary of the London Film-Makers’ Co-operative (LFMC) and the 40th anniversary of London Video Arts (LVA) – two predecessor organisations of LUX. To celebrate 50 years of artists’ moving image practice in the UK, LUX has organised a year-long, multi-venue programme of screenings, talks, workshops, publications and other events.

LUX also invited the first-year students of MRes Art: Moving Image, Central Saint Martins, London to contribute to this programme by curating and designing an online exhibition in response to the joint LFMC and LVA anniversary year. While many of the anniversary events have revisited the historical activity and legacy of the LFMC, the students decided to use this opportunity to focus on LVA, acting as a "small yet enthusiastic counterpoint to the core programme by drawing from the wealth of LVA tapes in LUX’s video archive."
Category:
General news
Experimental Film and Video: An Anthology

Poole S, Evans G, Littman S, Weinbren G, Gidal P, Welsby C, Hamlyn N, Parker J, Gawthrop R, McCall A et al.. 2006. Experimental Film and Video: An Anthology. :302pp.
Contents

Foreword by Sean Cubitt
Foreword by A.L. Rees
Introduction, by Jackie Hatfield

SECTION I Philosophies and Critical Histories of Avant-Garde Film and Current Practice
Installation and the Moving Image
Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s.

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Average: 3.7 (3 votes)
Category:
Books
Publisher:
Columbia University Press
David Hall: Video Art Pioneer

By Marcos Ortega on Fri, 27/02/2015 - 12:26

The Video Art pioneer David Hall (1937–2014) who passed away in October 2014 was a crucial figure in British art of the post war period. His work across sculpture, film, video and installations pioneered new areas of practice and played a crucial role in the first chapter of video art in the UK. An impassioned teacher and influential advocate for video art, Hall was the co-organiser of The Video Show 1975, the first major international show of artists’ video in the UK. He was also co-founder of London Video Arts (now LUX) and a member of the Artist Placement Group and founded the first time based media course at Maidstone College of Art in 1972. His works has been exhibited and collected internationally. Hall was as adept working on his Television Interruptions for broadcasters from the BBC to MTV as he was presenting his work at the world’s leading museums and exhibitions, from Documenta to the Centre Pompidou.

Dates:
Thursday, March 5, 2015 - 18:30
Venue:
Tate Britain - ,
Millennium Film Journal No. 57 Publication Screening and Celebration

By Marcos Ortega on Mon, 15/04/2013 - 07:45
Millennium Film Journal No. 57 Publication Screening and Celebration
Saturday May 4 2013, 20:30h
Grahame Weinbren Studio
119 West 22nd Street, 3rd floor, 10011 New York

A screening to celebrate the publication of Millennium Film Journal No. 57 "Violence in Artists' Cinema"

The program consists of works featured in MFJ #57:

- There is a Myth (Catherine Elwes, 1984, 8.5 min)
- I Am Micro (Shai Heredia & Shumona Goel, 2011, 14 min)
- Kuíuipo (Noe Kidder, 2013, 15 min)
- The Mutability of All Things and the Possibility of Changing Some (Anna Marziano, 2011, 16 min)
- Ojo Calientes (Pat O’Neill, 2012, 4 min)
- A Movie (Jennifer Proctor, 2010-12, 12 min)
- TBA, some of Tony Oursler’s videos from the 1970s

Admission: $14.00 (includes copy of MFJ 57); $8.00 (admission only)
Category:
Events