Barbara Hammer (born May 15, 1939) is an American filmmaker in the genre of experimental films.
Biography Hammer was born in Hollywood, California. She is a graduate of the University of California at Los Angeles with a Bachelor's degree in psychology. She also holds two Master's degrees from San Francisco State University, one in English literature and one in film. She also took postgraduate classes in the field of digital media.
The first monographic exhibition of KOW in Madrid shows previously unknown, early works by the American artist, filmmaker and feminist Barbara Hammer. Between 1968 and 1971, the first experimental films, photographs and works on paper were created, which chart the path of this pioneer of queer cinema.
Opening: September 13th, 5:00 PM
Dates:
Friday, September 14, 2018 (All day) to Thursday, January 31, 2019 (All day)
The Barbara Hammer Lesbian Experimental Filmmaking Grant is an annual grant that will be awarded to self-identified lesbians for making visionary moving-image art. Work can be experimental animation, experimental documentary, experimental narrative, cross-genre, or solely experimental. Applicants must be based in the U.S. This grant was established by Hammer in 2017 to give needed support to moving-image art made by lesbians. The grant is supported directly by funds provided by her estate and administered through Queer|Art by lesbians for lesbians, with a rotating panel of judges. The grant is $5000.
Bay Area-based non-profit film and media arts organization Canyon Cinema has, for 50 years, served as a bastion of “artist-made moving image work” not just as an archive, but as a distributor and champion of experimental, avant-garde, alternative and otherwise underserviced filmmaking voices.
In equestrian culture, Groundwork is comprised of exercises that mature a horse’s response to its rider’s cues and the environment. This program of landscape films from the 1960s through 1980s similarly demonstrates structural and formal methods used by artists to finely tune their perception of natural phenomena. In The Sky on Location, French cinematographer Babette Mangolte focuses her camera on seasonal light and its variegation of the American West’s colour palette.
A Collaboration between the Canadian Filmmakers Distribution Centre and Queer Media Database bring you rarely seen 16mm gems!
This program approaches the historical role of Queer cultural production in the formation of our senses of self. In a time when feelings are facts and there is a broader questioning of the primacy of First-Person Narrative Truth, we take this opportunity for a post-Pride breather to make meaning of our queer realities. This program is made up of a selection of 16mm film from the CFMDC collection that speak not only to the times in which they were produced but also to the complex political landscape we find ourselves in now.
"VARIETY, EXCHANGE, CRAZY ZEAL, ENERGY, NONSTOP ENTHUSIASM, and a COMMITMENT TO EXPERIMENTATION IN ART, LIFE, AND THE SOCIAL MEDIA," reads Barbara Hammer’s formula for a radical cinema of love against the American Dream. Hammer (*1939) is one of the most important representatives of American independent cinema. Her experimental documentary works present the most extensive avant-garde body of work on lesbian love, relationships and the expressive power of sexuality.
Dates:
Thursday, April 19, 2018 (All day) to Sunday, April 22, 2018 (All day)
Barbara Hammer is an American feminist artist known as a pioneer of queer experimental and documentary film. In concert with an exhibition of her work at the Leslie Homan Museum of Gay & Lesbian Art, this volume seeks to celebrate the depth and expanse of Hammer’s five decades of art making.
The Museum of Modern Art will present The Women’s Film Preservation Fund: Four Experimental Films January 22nd at 7:15pm in its annual festival, To Save and Project. The films by Peggy Ahwesh, Barbara Hammer, Victoria Hochberg, and Sheila Paige were all recently preserved by The Women’s Film Preservation Fund of New York Women in Film & Television.
This Sunday, November 19, at 2:30 p.m, Barbara Hammer and Elisa Port, MD, Chief of breast cancer surgery at Mount Sinai, will be in discussion about medical imaging technologies and patient risk after a screen of three short films: Hammer’s Sanctus (1990, 19 mins. 16mm), an Oxford University tutorial taken with x-ray film called The Movement of the Joints by Cineradiography (1945, 15mins. DCP), and The Fall of the House of Usher (1928, 14 mins. 16mm) by Dr. James Sibley Watson, Jr. and Melville Webber.
