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LemoArt Gallery Berlin: Open Call for Film Artists

By Anonymous on Tue, 31/01/2017 - 08:27

LemoArt Gallery Berlin is calling out for emerging film artists for an exciting brand new project taking place later this year!

This project aims to showcase new artists and propel them into the art scene through exhibitions, events, support and exposure in one of Contemporary Art’s most influential cities, Berlin.

We are looking for…

+ Video Art
+ Short Films
+ Dance Films
+ Animation
+ Short Film Documentaries
Dates:
Friday, March 31, 2017 - 20:00
No Place Like Home: The Films of Karen Yasinsky

By Anonymous on Thu, 15/09/2016 - 03:31

Edge of Frame presents a programme of animated films by Karen Yasinsky.

Karen Yasinsky is a Baltimore-based artist working primarily with animation and drawing. Moving from painting into animation in the late 1990s, her early films feature stop-motion puppets inhabiting strange, drifting zones of reverie, hovering on the verge of something unsettling and unknowable. As her films develop into exquisite drawn animation and more sophisticated stop-motion, they increasingly refer to scenes or moments from certain canonical films, such as The Wizard of Oz, Bresson’s Au Hazard Balthazar and Jean Vigo’s L’Atalante.

Dates:
Sunday, October 9, 2016 - 20:00
Venue:
Close-Up Cinema - London, United Kingdom
From doodles to Pixels: Over One Hundred Years of Spanish Animation

By Marcos Ortega on Wed, 02/12/2015 - 12:18

From Doodles to Pixels is a coproduction of the CCCB and AC/E that brings together a selection of films animated using diverse techniques that represent turbulent times ranging from the early twentieth century to the present day. It features recurring themes such as links with the world of comic books, reflections of political concerns and dialogue with the visual arts.

The film programme, curated by Carolina López, charts a course through a selection of the landmark works of Spanish animation of all times. The cycle includes historic films (from 1908 to the end of the dictatorship in 1975) and contemporary shorts (from 1975 to the present day). This has involved the restoration and digitization of works that were previously “invisible” because of their condition or the difficulty of accessing them, using the best possible materials in each case.

Dates:
Thursday, December 3, 2015 - 19:00
Friday, December 4, 2015 - 19:00
Saturday, December 5, 2015 - 19:00
Sunday, December 6, 2015 - 19:00
Thursday, December 10, 2015 - 19:00
Friday, December 11, 2015 - 19:00
Saturday, December 12, 2015 - 19:00
Sunday, December 13, 2015 - 19:00
Venue:
Centre de Cultura Contemporània de Barcelona - Barcelona, Spain
Xcèntric: US experimental animation of the eighties

By Marcos Ortega on Mon, 27/04/2015 - 07:17

A selection of US experimental animation from the eighties. The films of Jane Aaron, Brady Lewis, Gary Schwartz and Al Jarnow play with the contrast between animation and real spaces, principally using pixelation techniques for playful and experimental purposes. Protovin and Backus’s City Scapes trilogy is a documentary portrait of observation of places in Manhattan, mixing photography and animation. The films form part of the collection of the Public Library of New York, a major focus of independent animation in the seventies and eighties.

Dates:
Thursday, April 30, 2015 - 20:00
Venue:
Centre de Cultura Contemporània de Barcelona - Barcelona, Spain
Sweet Work: Sugar and Power

By SF Cinematheque on Wed, 12/11/2014 - 17:17

Once producing half of the nation's sugar, the Domino Sugar Refinery was a paragon of industrialism in South Williamsburg. Reprising a screening originally presented at Williamsburg’s UnionDocs in July 2014, this program presents a trio of films which examine labor history and issues of power, using this iconic factory as a lens. Domino Sugar—1989, filmed by Domino employee Kenny Malcom in 1989 and recently edited by Anthony Simon and Michael Vass, is “a time capsule of home video vignettes from 1989 filmed by a Domino Sugar employee that illuminates the diversity of the Domino workforce and the empowerment they felt at the time. Featured is a picket line in front of the Domino site, [and] a union meeting dispute between the Domino workers and the ILA Union organizers.” Animator Sarah Jane Lapp’s Sweetface (2000–2013) is a “personal essay film which uses sugar production as a point of departure to explore a variety of relational moments that involve soft power, gratitude and love. The film evolved from the filmmaker’s hand-production of about 1,000 sugar packets, the majority of which she gave as gifts to workers at the Domino Sugar Refinery during their twenty-month strike in the early 2000s.”

Dates:
Friday, November 28, 2014 - 19:30
Venue:
Artists' Television Access - San Francisco, Estados Unidos
The Mechanical Paradise: The Films Of Steven Woloshen

By Marcos Ortega on Thu, 07/08/2014 - 15:47

The phrase "the Mechanical Paradise", coined by Robert Hughes in his book The Shock of the New, reflected new visions in painting and sculpture in the age of machines, Kino Pravda (cinema) being among the chosen mediums of this post-WWI movement.

LIFT is pleased to welcome Steven Woloshen to Toronto to present a screening of his lush and energetic hand-made films. Woloshen presents sixteen short, animated and experimental films, highlighting the mechanics and the art of the perforated film strip: cinema's direct assembly line. This 16mm/35mm film screening will cover 30 years of his unique abstract film strategies, which are scraped, glued, painted and burnt onto the surface of the film. The results dance along to their propulsive jazz soundtracks, creating a rhythmic beauty as tiny frame-by-frame gestures are writ large on the cinema screen.

Steven Woloshen in attendance

Dates:
Friday, August 15, 2014 - 20:00
Venue:
Cinecycle - Toronto, Canada
Robert Darroll - The Korean Trilogy and other animations
The recently restored Korean Trilogy by Robert Darroll are now made available for personal ownership for the first time. Restoration created by Mark Toscano and the Academy Film Archive. This DVD also includes five more films by Darroll and a rare installation project.

"The first words that come to mind about Robert Darroll’s films are density and complexity -- of imagery, technique and style. He assimilates, transforms and transcends almost every technique in the history of animation. This is the apotheosis of motion graphics – simultaneously photographic, videographic and computer graphic. Darroll creates a hypnotic and visionary universe through virtuosic use of rotoscoping, compositing, layering, filtering and complex segmentations of the frame." - Gene Youngblood

Rating:

Average: 3.5 (2 votes)
Category:
DVD
Publisher:
iota Center
Two Ways Down

By Anonymous on Fri, 25/04/2014 - 14:50

Adams and Ollman is pleased to announce Two Ways Down, Laura Heit's new hand drawn animated installation, on view May 2 through May 31. Please join us for an opening reception with the artist on Friday, May 2 from 6-8pm.

Reflecting on the momentary nature of life, Heit’s fantastical piece uses thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a fleeting world where human-animal hybrids, specters and body parts morph and flit across the walls.
Dates:
Friday, May 2, 2014 (All day)
Venue:
Adams And Ollman - Portland, United States
Live Soundtracks: The film works of Dirk de Bruyn

By Marcos Ortega on Wed, 23/04/2014 - 14:28

Six musicians improvising live soundtracks to the films of Melbourne experimental guru Dirk de Bruyn.

Dirk de Bruyn has been creating film works for over 35 years; mostly in the hand-made, 'direct animation' mode. He also performs live with multiple projections of his films in a highly embodied mode of expanded cinema performance. His work is renowned for its intricate, suggestive layering of sound and image, and use of sumptuous, blooming fields of colour.

Featuring: Mark Pedersen, Brigid Burke, Nat Grant, David Kimball, Todd Anderson-Kunert & Leo Kavanagh.

Dates:
Thursday, May 22, 2014 - 20:00
Venue:
Longplay Bar and Cinema - Melbourne, Australia
Immagini e Suoni: studi sensoriali e disamine sociali

By Marcos Ortega on Tue, 16/04/2013 - 07:05
Giovedi’ Sperimentale
Immagini e Suoni: studi sensoriali e disamine sociali
Thursday April 18 2013, 22h
Cinema Filmstudio
Via degli Orti d’Alibert 1/c – Roma (Trastevere)

Curated by Piero Pala

On Thursday, April 18, 2013 there continues the themed programming of experimental and artists' films at Filmstudio. "Images and Sounds: sensory studies and social analysis' investigates the fundamental relationship between the two primary components of cinema where the autonomy of the two "languages" is at the service of audiovisual compositions without persuasive intent. Seven unique films (Manon De Boer, Pierre Hébert, Fernand Léger, Dudley Murphy, Karl Lemieux, Bruno Munari and Marcello Piccardo, Bernhard Schreiner, Georges Schwizgebel) that can be appreciated consistently in a movie theater.

Programme:
- Ballet mécanique (Fernand Léger & Dudley Murphy, 1924, 35mm, b&w and colour, 16’)
- I colori della luce (Bruno Munari & Marcello Piccardo, 1963, 16mm on DVD, music by Luciano Berio, 5’)
- Fugue (Georges Schwizgebel, 1998, 35mm, colour, sound, 7’4’’)
- The Technology of Tears (Pierre Hébert, 2005, 35mm, b&w, 14 min.)
- Dissection (Bernhard Schreiner, 2005, DVD, b&w, sound, 5’50’’)
- Western Sunburn (Karl Lemieux, 2006, b&w and colour, music by Radwan Moumneh, 10’)
- Attica (Manon De Boer, 2008, 16mm,b&w, sound, 9’55’’)
Category:
Events

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