The 16th edition of AVANT explores the Baltic countries by inviting three prominent artists: Deimantas Narkevičius (Lithuania), Ieva Balode (Latvia) and Jaan Toomik (Estonia). In addition, two fairly unknown classics will be shown, Virve Aruoja and Jaan Tooming’s Endless day (1971) that was banned by Estonian authorities, and Adolfas Mekas’ rarely screened Wind flowers (1967).
Dates:
Friday, September 27, 2019 - 18:30 to Saturday, September 28, 2019 - 18:30
A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the sixties revolution in art, music, poetry and film and interviews the main players in the “New American Cinema,” that was born on the streets of New York.
Belgian experimental film festival L’Âge d’Or comes back next October 3-10 with the second edition of its new run. 2015 celebrates the 50th anniversary of Super 8 and so for its second edition, the Âge d’Or festival has chosen to pay homage to the work of the fiercest advocates of this format, too often denigrated and considered ‘amateur’. A format however that has been, and sometimes still is, the terrain of innovative cinematic experiments, full of the constraints that only it can create.
Dates:
Saturday, October 3, 2015 (All day) to Saturday, October 10, 2015 (All day)
Belgian experimental film festival L’Âge d’or 'returns' to Brussels on October 8-14. 'Reviving the spirit' of the EXPRMNTL festival will present twenty-three films in competition as well as programmes dedicated to and with the presence of Birgit Hein (president of the jury), Gustav Deutsch (who will also deliver a masterclass), Friedl vom Gröller, Matthias Müller and Christoph Girardet, Robert Todd and John Smith. Mark Webber, editor of the recently published anthology of writings by Gregory Markopoulos will introduce two programmes of his works with new prints. The festival will also pay homage to Stephen Dwoskin and Adolfas Mekas and present curated programmes dedicated to the Italian avant-garde, and a double selection of “ethnographic poems”, with works by Raymonde Carasco and Robert Gardner.
The festival's brochure, including the complete programme, can be downloaded here.
Four young people are trying to understand why their friend, a young woman, committed a suicide. A film made up of disconnected scenes weaving between past and present. The title of the film comes from a poem by Stuart Perkoff which tells that some young people felt (around 1960) that everything is against them, so much that even the trees in the parks and streets seemed to them like guns pointing at their very existence.
35mm 1963 82'
A film by Adolfas Mekas with Peter H. Beard, Marty Greenbaum, Sheila Finn, Peggy Steffans, Jerome Hill, Taylor Mead. Camera: Ed Emshwiller. Assistant: Jonas Mekas. Editing: Adolfas Mekas. Music: Meyer Kupferman.
Adolfas Mekas, born in Lithuania, arrived in the United States with his brother Jonas in 1949. They founded Film Culture, the magazine of independent cinema, in 1954. Adolfas Mekas's Hallelujah the Hills bears witness to his knowledge and love of cinema, as well as the immense freedom to be found in all the films of the New American Cinema.
"Hallelujah the Hills is a gloriously funny and far-out farce about two great big overgrown boy scouts who pratfall in love with the same girl. The weirdest, wooziest, wackiest screen comedyS a slapstick poem, an intellectual hellzapoppin, a gloriously fr
