Artist-made editions
"Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quot
Bärbel Neubauer has been creating animation and experimental films since 1980 and composing music and film music since 1991. An Austrian artist living in Germany, Neubauer works in a variety of film mediums including 70mm, 35mm and digital formats. Her practice spans handmade filmmaking techniques of painting and scratching directly on to celluloid through to digital 3D abstract animation.
Selected Works compiles remastered versions of the more purely visual material
By the late 1960s I moved from Berkeley to San Francisco where I met other like- minded artists and experimental filmmakers. It was the era of intense outrage against the war in Viet Nam, psychedelics, and interest in Eastern mysticism.
A series of four films - Cinematographic painting by compounds, mergers of different cinematic levels in multiple exposures. Structure of the image from color dots and the image resolution in dots of color, building the image from image surfaces and plana
Bärbel Neubauer has been creating animation and experimental films since 1980 and composing music and film music since 1991. An Austrian artist living in Germany, Neubauer works in a variety of film mediums including 70mm, 35mm and digital formats. Her practice spans handmade filmmaking techniques of painting and scratching directly on to celluloid through to digital 3D abstract animation.
STAR SPANGLED TO DEATH is an epic film shot for hundreds of dollars! combining found-films with my own more-or-less staged filming, it pictures a stolen and dangerously sold-out America, allowing examples of popular culture to self-indict.
In 1974 I moved to a rural property on Old Redwood Highway in Sonoma County near the town of Penngrove California... During the ensuing years... I could both record interesting moments and also weave a cinematic fabric equivalent to the gestural style and
An experimental film in the treatment of the relationship of the features from image to sound (0-sound) on the penetration of different communication layers.
François Miron began makings films in 1982, working exclusively with emulsion (as in film NOT video) the body of his early work consist of several short experimental films, all created using a powerful film image manipulation technique that he has mastere